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Islamic Art in the 19th Century
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
Place, Memory, and Healing
Place, Memory, and Healing: An Archaeology of Anatolian Rock Monuments investigates the complex and deep histories of places, how they served as sites of memory and belonging for local communities over the centuries, and how they were appropriated and monumentalized in the hands of the political elites. Focusing on Anatolian rock monuments carved into the living rock at watery landscapes during the Late Bronze and Early Iron Ages, this book develops an archaeology of place as a theory of cultural landscapes and as an engaged methodology of fieldwork in order to excavate the genealogies of places. Advocating that archaeology can contribute substantively to the study of places in many fields o...
GALATA MAWLAWI LODGE MUSEUM
Galata Mawlawi Lodge served as a dervish lodge for 434 years. This dargah raised influential figures such as Ankaravi İsmail Dede, Shayk Galip, Fasih Dede, Esrar Dede and master neyzan Osman Dede, besides occupying a place in the hearts of several Ottoman sultans like Sultan Selim III and Sultan Mahmud II. During the last years of the lodge, it had wellknown visitors and muhibs such as Walad (Chalabi) İzbudak, Ahmed Jalal ad-Din Dede, Selman Tüzün, Cemaleddin Server Revnakoğlu, Mithat Bahari Beytur, Ahmet Bican Kasapoğlu, Necati Ergin and several other tasawwuf cognoscenti.
Dervishes and Islam in Bosnia
In Dervishes and Islam in Bosnia, Ines Aščerić-Todd explores the involvement of Sufi orders in the formation of Muslim society in the first two centuries of Ottoman rule in Bosnia (15th - 16th centuries C.E.). Using a wide range of primary sources, Aščerić-Todd shows that Sufi traditions and the activities of dervish orders were at the heart of the religious, cultural, socio-economic and political dynamics in Bosnia in the period which witnessed the emergence of Bosnian Muslim society and the most intensive phase of conversions of the Bosnian population to Islam. In the process, she also challenges some of the established views regarding Ottoman guilds and the subject of futuwwa (Sufi code of honour).
Culture and Diplomacy
Diplomats had multiple tasks: not only negotiating with the representatives of other states, but also mediating culture and knowledge, and not least elaborating reports on their observations of politics, society, and culture. Culture, according to the studies featured in this book, is defined as a complex sphere including aspects like systems of communication, literature, music, arts, education, and the creation of knowledge. This edition containing contributions from six conferences held in Vienna and Istanbul by the Don Juan Archiv Wien focuses on the complex diplomatic and cultural relations between the Ottoman Empire and Europe from the time of the early embassies to Istanbul up to "Tanzimat".
The Arts of the Mamluks in Egypt and Syria
Based on the conference "The Arts of the Mamluks in Egypt and Syria" held at SOAS in 2009.
Muqarnas
"Muqarnas" is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. "Muqarnas" 26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
The Animal in Ottoman Egypt
Animals in rural Egypt became enmeshed in social relationships and made possible many tasks otherwise impossible. Rather than focus on what animals represented or symbolized, Mikhail discusses their social and economic functions, as Ottoman Egypt cannot be understood without acknowledging animals as central shapers of the early modern world.
Art, Trade and Culture in the Islamic World and Beyond
The essays in this book trace a rich continuum of artistic exchange that occurred between successive Islamic dynasties from the twelfth through nineteenth centuries—as well as the influence of Islamic art during that time on cultures as far away as China, Armenia, India, and Europe. Taking advantage of recent technologies that allow new ways of peering into the pasts of art objects, the authors break new ground in their exploration of the art and architecture of the Islamic world. The essays range across a variety of topics. These include a look at tile production during the reign of the Qaytbay, the book bindings associated with Qansuh al-Ghuri, and the relationship between Mamluk metalwork and that found in Rasulid Yemen and Italy. Several essays examine inscriptions found on buildings of the Fatimid, Mamluk, and Ottoman periods, and others look at the debt of European lacquer works to Persian craftsmen, the Armenian patrons of eighteenth-century Chinese exports, and the influences of Islam on art and architecture found all across India. The result is a sweeping but deeply researched look at one of the richest networks of artistic traditions the world has ever known.
The Battle for Central Europe
In The Battle for Central Europe specialists in sixteenth-century Ottoman, Habsburg and Hungarian history provide the most comprehensive picture possible of a battle that determined the fate of Central Europe for centuries. Not only the siege and the death of its main protagonists are discussed, but also the wider context of the imperial rivalry and the empire buildings of the competing great powers of that age. Contributors include Gábor Ágoston, János B. Szabó, Zsuzsa Barbarics-Hermanik, Günhan Börekçi, Feridun M. Emecen, Alfredo Alvar Ezquerra, István Fazekas, Pál Fodor, Klára Hegyi, Colin Imber, Damir Karbić, József Kelenik, Zoltán Korpás, Tijana Krstić, Nenad Moačanin, Gülru Neci̇poğlu, Erol Özvar, Géza Pálffy, Norbert Pap, Peter Rauscher, Claudia Römer, Arno Strohmeyer, Zeynep Tarım, James D. Tracy, Gábor Tüskés, Szabolcs Varga, Nicolas Vatin.
