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The Glissando Flute
The Glissando Headjoint is is a sliding, telescoping tube that extends the overall length of the flute to create a glissando to and from every note. The Glissando Flute is a C flute played with a Glissando Headjoint.This headjoint offers access to an entirely new sonic vocabulary of glissandi, bends, multiphonics, timbres, microtones, and scales, which dramatically increases the expressive potential available to flutists and composers.THE GLISSANDO FLUTE is a handbook for composers who wish to explore new possibilities, performers who have a Glissando Headjoint and are ready to get started, and anyone curious about new music.In this book includes:- an introduction by Robert Dick, creator of the Glissando Headjoint- a history of pitch bending and the Glissando Headjoint- complete fingering diagrams- repertoire lists- techniques- exercises- transcriptions- Melissa Keeling's solo for glissando flute, Tilt
The Electric Flute
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Illusory Abiding
A groundbreaking monograph on Yuan dynasty Buddhism, Illusory Abiding offers a cultural history of Buddhism through a case study of the eminent Chan master Zhongfeng Mingben. Natasha Heller demonstrates that Mingben, and other monks of his stature, developed a range of cultural competencies through which they navigated social and intellectual relationships. They mastered repertoires internal to their tradition—for example, guidelines for monastic life—as well as those that allowed them to interact with broader elite audiences, such as the ability to compose verses on plum blossoms. These cultural exchanges took place within local, religious, and social networks—and at the same time, they comprised some of the very forces that formed these networks in the first place. This monograph contributes to a more robust account of Chinese Buddhism in late imperial China, and demonstrates the importance of situating monks as actors within broader sociocultural fields of practice and exchange.
Woodwind Basics
Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one.The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include:- What should I listen for in good woodwind playing?- Why is breath support so important, and how do I do and teach it?- What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes?- What things does an embouchure need to accomplish?- How can I (or my students) play better in tune?- What role does the tongue really play in articulation?- Which alternate fingering should I choose in a given situation?- How do I select the best reeds, mouthpieces, and instruments?- How should a beginner choose which instrument is the best fit?Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.
Circular Breathing for the Flutist
"Circular Breathing allows the performer to sustain tone while inhailing, a tremendously valuable tool. For the first time, a method is available specifically for the Flutist, covering developments of the embouchure and breathing coordinations needed to master Circular Breathing. Examples include orchestral passages, selections of solo literature from Bach to Varese and contemporary repertoire." From author's website.
Digital Humanities in Practice
This cutting-edge and comprehensive introduction to digital humanities explains the scope of the discipline and state of the art and provides a wide-ranging insight into emerging topics and avenues of research. Each chapter interweaves the expert commentary of leading academics with analysis of current research and practice, exploring the possibilities and challenges that occur when culture and digital technologies intersect. International case studies of projects ranging from crowdsourced manuscript transcription to computational reconstruction of frescoes are included in each chapter, providing a wealth of information and inspiration. QR codes within each chapter link to a dedicated websit...
The Falling Sky
The 10th anniversary edition A Guardian Best Book about Deforestation A New Scientist Best Book of the Year A Taipei Times Best Book of the Year “A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.” —Louise Erdrich, New York Times Book Review “The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.” —Amitav Ghosh, The Guardian “A literary treasure...a must for anyone who wants t...
The Politics of Court Reform
Offers an analysis of the politics of court reform through a focused review of Indonesia's complex court system.
When Novels Were Books
The novel was born religious, alongside Protestant texts produced in the same format by the same publishers. Novels borrowed features of these texts but over the years distinguished themselves, becoming the genre we know today. Jordan Alexander Stein traces this history, showing how the physical object of the book shaped the stories it contained.
The Rise of the Arabic Book
The little-known story of the sophisticated and vibrant Arabic book culture that flourished during the Middle Ages. During the thirteenth century, Europe’s largest library owned fewer than 2,000 volumes. Libraries in the Arab world at the time had exponentially larger collections. Five libraries in Baghdad alone held between 200,000 and 1,000,000 books each, including multiple copies of standard works so that their many patrons could enjoy simultaneous access. How did the Arabic codex become so popular during the Middle Ages, even as the well-established form languished in Europe? Beatrice Gruendler’s The Rise of the Arabic Book answers this question through in-depth stories of bookmakers and book collectors, stationers and librarians, scholars and poets of the ninth century. The history of the book has been written with an outsize focus on Europe. The role books played in shaping the great literary cultures of the world beyond the West has been less known—until now. An internationally renowned expert in classical Arabic literature, Gruendler corrects this oversight and takes us into the rich literary milieu of early Arabic letters.
