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Japanese Bamboo Art: The Abbey Collection
Bamboo is present in nearly every aspect of traditional Japanese life, yet Japanese bamboo art, with its refined beauty and technical sophistication, has been little known in the West until recent years. This publication provides an overdue introduction to these exquisite works, which represent a cultural tradition stretching back hundreds of years. The works illustrated and discussed are exceptional for their broad representation of many notable bamboo masters, and highlight key stages in the modern history of Japanese bamboo art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Material Choices
Winner of the R. L. Shep Ethnic Textiles Award sponsored by the Textile Society of America Asia is renowned for the production of fine handwoven cottons and luxurious silks -- important items of trade for centuries. In addition to these celebrated fabrics, however, weavers throughout the region produced cloth from ramie, hemp, pina, and banana fibers (including Philippine abaca and Okinawan ito basho), as well as a number of lesser-known plant fibers. Over the course of the twentieth century, many of these Asian plant fiber weaving traditions became marginalized or hovered on the brink of extinction, given the advent of synthetic fabrics, growing industrialization, and increased internationa...
Around Chigusa
An in-depth look at the dynamic cultural world of tea in Japan during its formative period Around Chigusa investigates the cultural and artistic milieu in which a humble jar of Chinese origin dating to the thirteenth or fourteenth century became Chigusa, a revered, named object in the practice of formalized tea presentation (chanoyu) in sixteenth-century Japan. This tea-leaf storage jar lies at the nexus of interlocking personal networks, cultural values, and aesthetic idioms in the practice and appreciation of tea, poetry, painting, calligraphy, and Noh theater during this formative period of tea culture. The book’s essays set tea in dialogue with other cultural practices, revealing larger cultural paradigms that informed the production, circulation, and reception of the artifacts used and displayed in tea. Key themes include the centrality of tea to the social life of and interaction among warriors, merchants, and the courtly elite; the multifaceted relationship between things wa (Japanese) and kan (Chinese) and between tea and poetry; the rise of new formats for display of the visual and calligraphic arts; and collecting and display as an expression of political power.
Kamakura
Catalog of the exhibition at the Asia Society Museum, New York, February 9-May 8, 2016.
Imagery of the Orchid Pavilion Gathering
This book examines the cultural networks that connected people during the Edo period (1603-1868) by surveying a wide range of visual representations of the Orchid Pavilion Gathering produced mostly in Japan. The Orchid Pavilion Gathering is one of the most important painting themes in the cultural history of East Asia, yet there has hitherto been no monograph focused on this subject in the English language. This project introduces the many important images representing and related to the Gathering, some of which have never before been published.
The Teabowl
Teabowls have become an iconic form in ceramics, and this book considers everything from their history to their current status and use, giving examples and insights from many contemporary artists.
ORNAMENT. Proceedings of the Annual Conference of ICOM-ICDAD. 2023.
Proceedings of the Annual Conference of International Committee for Museums and Collections of Decorative Arts and Design. 10-12 October 2023, Palácio Nacional da Ajuda, Lisbon, Portugal. Published by: ICOM-ICDAD and Palácio Nacional da Ajuda.
Lords of the Samurai
150 superb examples of armor, weaponry, costumes, paintings, and lacquerware from the Hosokawa family
Kimono
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new a...
Chigusa and the Art of Tea
This innovative book narrates the history of a single object--a tea-leaf storage jar created in southern China during the thirteenth or fourteenth centuries--and describes how its role changed after it was imported to Japan and passed from owner to owner there. In Japan, where the jar was in constant use for more than seven hundred years, it was transformed from a humble vessel into a celebrated object used in chanoyu (often translated in English as tea ceremony), renowned for its aesthetic and functional qualities, and awarded the name Chigusa. Few extant tea utensils possess the quantity and quality of the accessories associated with Chigusa, material that enables modern scholars and tea aficionados to trace the jar's evolving history of ownership and appreciation. Tea diaries indicate that the lavish accessories--the silk net bag, cover, and cords--that still accompany the jar were prepared in the early sixteenth century by its first recorded owner.
