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Preaching as Pastoral Caring is the thirteenth in a series of books devoted to presenting examples of preaching excellence from parishes throughout the Episcopal Church. This volume addresses the difficult and essential area of pastoral preaching as a kind of spiritual leadership in which compassionate healing and courageous confrontation are experienced not as polar opposites, but as inseparable.
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Each volume would follow the pattern of: 1) a brief opening introductory essay that would shape the context for that volume. 2) a selection of sermons from preachers active in the pulpit, organized under headings appropriate to the topic of the volume, as well as sub-topics within the volume. 3) several complementary and reflective essays from professionals of distinction in the field of homiletics. 4) sermons from the annual Preaching Excellence Conference, as exemplified in the previous Preaching Through the Year of Matthew, Mark, and Luke.
"These stories are poignant, inspiring, moving and, above all, real." —Michael Curry Have you ever wondered if God is missing in the mundane? Four women priests have found God in the most unexpected places: in a dive bar, at the drugstore, and even at the grave. As we go about our everyday lives, the divine can feel illusive: grappling with the realities of cancer, infertility treatments, searching for a birth story, and honoring the divine in a child with autism. Yet God was there all along. This book is a guide to help you name God’s presence in your own history. Reflection questions and instructions are included for writing and sharing your spiritual autobiography in the hope that you, too, discover grace in the rearview mirror.
The Golden Age of Couture celebrates a momentous decade in fashion history that began with the launch of Christian Dior's famous New Look in 1947 and ended with his death in 1957. It was Dior himself who christened this era fashion's 'golden age', a period when haute couture thrived and Paris enjoyed renown worldwide for the luxurious creations of designers such as Cristobal Balenciaga, Pierre Balmain and Hubert de Givenchy. While never competing with Paris in terms of glamour, London also proved itself a burgeoning fashion capital, boasting Savile Row, the undisputed home of bespoke tailoring, and prominent couturiers such as Charles Creed, Hardy Amies and Norman Hartnell, who dressed debutantes, aristocrats and the royal family.
Presenting a new interpretation of humanist historiography, Donald J. Wilcox traces the development of the art of historical writing among Florentine humanists in the fifteenth century. He focuses on the three chancellor historians of that century who wrote histories of Florence--Leonardo Bruni, Poggio Bracciolini, and Bartolommeo della Scala--and proposes that these men, especially Bruni, had a new concept of historical reality and introduced a new style of writing to history. But, he declares, their great contributions to the development of historiography have not been recognized because scholars have adhered to their own historical ideals in judging the humanists rather than assessing the...
It is the fault of the new studio on the eighteenth floor: at first, the fascinating view of the Manhattan skyline, seen from his studio on Union Square, distracted T. J. Wilcox from work but ultimately inspired him to create In the Air: using sixty thousand individual photographs, one shot every second by four cameras over a period of fifteen hours, Wilcox assembled a half-hour-long 'film in the round'. Projected onto a screen, the film completely surrounds the viewer. On top of this three-hundred-and-sixty degree panorama, the artist layers six short features [including four] ... about a variety of individuals from the city: Antonio Lopez, the fashion designer who lost his life to AIDS but was an inspiration to the teenaged Wilcox. His former apartment is visible from Wilcox's new studio. In Silver Cloud we see Andy Warhol during a performance. Precious Mettle recounts the complex life of Gloria Vanderbilt, socialite, fashion designer and artist. In a moving short film, the superintendent of the studio's building tells of his experience on 9/11.
Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio desc...