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In this study, ten independent critical essays and a coda explore the English-language poetry of South Asians in terms of time, place, themes and poetic methodologies. The transnational perspective taken establishes connections between colonial and postcolonial South Asian poetry in English as well as the poetry of the old and new diaspora and the Subcontinent. The poetry analysis covers the relevance of historical allusions as well as underlying concerns of gender, ethnicity and class. Comparisons are offered between poets of different places and time periods, yielding numerous sociopolitical paradigms that surface in the poetry.
Violent Belongings examines transnational South Asian culture from 1947 onwards in order to offer a new, historical account of how gender and ethnicity came to determine who belonged, and how, in the postcolonial Indian nation.
New Perspectives On Indian English Writings Is A Collection Of Thirty-Eight Research Papers On Various Fictionists, Dramatists And Poets Of Indian Origin. These Papers, Contributed By Scholars And Teachers Of Repute, Study In Depth The Major Works Of The Pioneers As Well As Emerging Indian Authors, Writing In English. The Writers Included In This Volume Are Kamala Markandaya, Jhumpa Lahiri, Shashi Deshpande, Nayantara Sahgal, Girish Karnad, Manju Kapur, Bharati Mukherjee, R.K. Narayan, Salman Rushdie, Arundhati Roy, Gita Mehta, Kamala Das, Nissim Ezekiel, Ruth Prawer Jhabvala And Many Others. The Wide Range Of The Authors, Covered In This Volume, Makes It Useful For Researchers, Teachers And Postgraduate Students, Studying In Various Universities Of India.
Maira, a young American-Indian journalist, finds herself trapped in a situation where she has to cover a story for 'The New York Times' as an intern to secure her job. This novel begins on an autumn night in 2020, when she is at home reading a novel. Of course, autumn is a sign of the slow decline of the year towards winter, bringing with it colder weather and darker evenings. Karina Pandya’s novel traces the extraordinary journey of Maira as a journalist as she tries to not only cover a story for the newspaper, 'The New York Times,' but also have the ability to battle haunting memories of the past, memories that haunt her.
This Volume Of Essays Examines Some Of The Important Issues In Indian English Literature Emerging Both From Its Search For A New Sense Of Identity And Its Affiliation To A Global Perspective In The Wake Of Post Colonialism. The Essays Comprising This Volume Address Topics Such As Nation And Nationalism, Hybridization And Assimilation, Problems Of Exile And Migration, The Question Of Location And Boundaries And The Place Of Indian English Literature In The Changing Canon Of English Studies. By Focusing On The Shifting Paradigms Of Indian English Literature As A Part Of The Subtle Transformation Of The Global Configurations Of English, The Volume Attempts To Place The Genre Of This Writing Wit...
They are a collection of personal reflections and some are detailed notes on some topics mostly related to scriptures and social issues. They are all underlined by moral and ethical strains in the form of reflections and annotations. Upanishads, Bhagavad Gita, and other ancient books are the major components of the themes of writing. Some brief writings are the annotations of the scriptural texts. The collection also includes some poems written in English. Some are reviews and prefaces written by scholars on the author’s published books. The total general mood of writings contained in the book is reflective of social, cultural, and spiritual matters.
The present anthology Indian English Poetry: A Critical Evaluation is an endeavour to shed some light on some major Indian English poets. It combines and discusses poets of two generations. From older generation of poets like Henry Derozio, Toru Dutt, Rabindranath Tagore to younger generation of poets like Nissim Ezekiel, Jayanta Mahapatra, Eunice de Souza, Gieve Patel, Kamala Das and many others, all have critically been studied in this anthology. Along with a brief and critical introduction about the origin and development of Indian English poetry, the anthology also covers an interview with modern Indian poet Keki N. Daruwalla. The anthology will be helpful to provide study materials for both students and teachers alike.
Indian poets writing in English have earned their space on the global stage, forging new paths and moulding the language to suit the Indian landscape, concerns, and themes. When Nissim Ezekiel crossed new frontiers with his 'A Time to Change' in 1952, it was recognised as one of the first significant books of postcolonial poetry in English; decades later, however, sceptics continued to ask why Indians insisted on writing in English and not in their mother tongues. An exasperated Saleem Peeradina said to me in an interview soon after his debut poetry collection First Offence appeared in 1980, "This question should be outlawed!" Mercifully, though such discussions may still linger in some academic circles, the issue no longer merits attention, at least among poets.