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Greek Orthodox Music in Ottoman Istanbul
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community t...
Greek Orthodox Music in Ottoman Istanbul
During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online.
Reform, Notation and Ottoman music in Early 19th Century Istanbul
Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.
The Last Treaty
In The Last Treaty, Michelle Tusan profoundly reshapes the story of how the First World War ended in the Middle East. Tracing Europe's war with the Ottoman Empire through to the signing of Lausanne, which finally ended the war in 1923, she places the decisive Allied victory over Germany in 1918 in sharp relief against the unrelenting war in the East and reassesses the military operations, humanitarian activities and diplomatic dealings that continued after the signing of Versailles in 1919. She shows how, on the Middle Eastern Front, Britain and France directed Allied war strategy against a resurgent Ottoman Empire to sustain an imperial system that favored Europe's dominance within the nascent international system. The protracted nature of the conflict and ongoing humanitarian crisis proved devastating for the civilian populations caught in its wake and increasingly questioned old certainties about a European-led imperial order and humanitarian intervention. Its consequences would transform the postwar world.
In the Public Eye
During the 1884 inauguration of the Royal Hungarian Opera House in Budapest, political elites staged a gala concert in the auditorium while the angry crowd, excluded from this ceremony, demonstrated on the street. In 1917, the crowds queuing to a Béla Bartók premiere needed to be forcibly held back. The book follows the history of the contested institution through a series of scandals, public protests, repertoire controversies and their representation in the urban press of the time. Such conflicts often led to larger issues that concerned the Opera House as a music institution, the birth of the modern public sphere and the modern audience. Thereby, the book calls for a critical rethinking of the cultural history of Budapest and Hungary in the late Habsburg Monarchy.
Orthodox Christians and Muslims in Cappadocia
This book traces the history of everyday relations of Greek-Orthodox Christians and Muslims of Cappadocia, an Ottoman countryside inhabited by various ethno-religious groups, either sharing the same settlements, or living in neighbouring villages. Based on Ottoman state archives, testimonies collected by the Centre of Asia Minor Studies, and various pre-1923 hand-written and printed sources mostly in Ottoman- and Karamanli-Turkish, and Greek, the study covers the period from 1839 to 1923 and proposes an anthropological perspective on everyday cross-religious interactions. It focuses on questions such as identification and mapping of communities, sharing of space and resources, use of languages, and religiosity in the context of conversions and of shared sacred spaces and beliefs to investigate everyday realities of a multireligious rural society which disappeared with the fall of the Empire.
The History of Emotions
The history of emotions is one of the fastest growing fields in current historical debate, and this is the first book-length introduction to the field, synthesizing the current research, and offering direction for future study. The History of Emotions is organized around the debate between social constructivist and universalist theories of emotion that has shaped most emotions research in a variety of disciplines for more than a hundred years: social constructivists believe that emotions are largely learned and subject to historical change, while universalists insist on the timelessness and pan-culturalism of emotions. In historicizing and problematizing this binary, Jan Plamper opens emotions research beyond constructivism and universalism; he also maps a vast terrain of thought about feelings in anthropology, philosophy, sociology, linguistics, art history, political science, the life sciences - from nineteenth-century experimental psychology to the latest affective neuroscience - and history, from ancient times to the present day.
Europe - On Air
During the interwar years, broadcast radio became a popular way for Europeans to consume local, national, and international news. The medium not only began to shape European policy and politics, but also laid the foundation for European unification and global interconnectedness. In Europe On Air, Suzanne Lommers has documented the rich and often underexposed history of broadcast radio through the lens of international European relations. She specifically explores the roles of Radio Moscow, Radio Luxembourg, Vatican Radio, and the International Broadcasting Union as institutions that played an important role in national identities and establishing standards for broadcasting. The radio also offered new opportunities to politicians, who seized upon a vibrant and more direct way to communicate with their constituents. Essential reading for scholars of technology and European history, Europe-On Air reveals broadcast radio to be a technology that revolutionized international relations during the brief respite between the chaos of war in Europe.
The Battle for Bodies, Hearts and Minds in Postwar Greece
The previously unpublished memoir of social worker Charles Schermerhorn offers new and eye-opening source material pertaining to the epicenter of the early Cold War: northern Greece. This book brings this memoir to light to enrich the discussion about the Greek Civil War and the late 1940s, through the highly perceptive views of a firsthand observer of the turmoil. Schermerhorn’s writings speak most compellingly to the power of human agency amid adverse sociopolitical circumstances. His memoir takes a child-centered and social-historical approach to controversial events, filling a great void in our knowledge. This book looks at a single mid-twentieth-century crisis in multidimensional ways...
Salvation and Catastrophe
The Greek-Turkish War of 1919–1923—also known as the Western Front of the Turkish War of Liberation and the Asia Minor Campaign—was one of the key aftershocks of the First World War. Internationally better known for its aftermath, the Compulsory Population Exchange between Greece and Turkey, the Catastrophe of Ottoman Greeks, and the foundation of the Republic of Turkey under Mustafa Kemal Atatürk, the war has never been given a holistic treatment in English, despite its long shadow over the Greek-Turkish relationship. The contributors in this volume address this gap by brining to the fore, on its centenary, aspects of the onset, conduct, and aftermath of this war. Combining insights from the study of international relations, political science, strategic studies, military history, migration studies, and social history the contributions tell the story of leaders and decisions, battles and campaigns, voluntary and involuntary migration, and the human stories of suffering and resilience. It is aspects of the story of the last gasp of the Great War in Europe, brought to its final end with Treaty of Lausanne of 1923.
