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Shortlisted for the University English Early Career Book Prize 2016 Shortlisted for the British Association for Romantic Studies First Book Prize 2015 When writers of the late eighteenth and early nineteenth centuries explored the implications of organic and emotional sensitivity, the pain of the body gave rise to unsettling but irresistible questions. Urged on by some of their most deeply felt preoccupations – and in the case of figures like Coleridge and P. B. Shelley, by their own experiences of chronic pain – many writers found themselves drawn to the imaginative scrutiny of bodies in extremis. Bodily Pain in Romantic Literature reveals the significance of physical hurt for the poetr...
Why should anyone bother with Coleridge either as a theologian or a political theorist? At first in desperation, but now quite deliberately, Alan Gregory convincingly suggests that one should bother because Coleridge mounted an imporant critique of reductionist explanations of human society and moral agency, and because Coleridge has much regarding that important enterprise to teach us still. While Gregory also offers a perceptive outline of early British conservatism, his main concern is with Coleridge's attack on reductionism, including his defense of the will against associationism, his criticisms of Enlightenment historiography, his discussions of the inadequacies of political economy, and the Trinitarian arguments against monism. There is, Gregory remarks, no grasping the range or inner dynamic of Coleridge's thought without appreciating his religious vision, his theology. Indeed, Coleridge himself affirmed that should we try to conceive a man without the ideas of God, eternity, freedom, will, absolute truth, of the good, the true, the beautiful, the infinite...the man will have vanished.
During the eighteenth century Presbyterians of the Middle Colonies were separated by divergent allegiances, mostly associated with groups migrating from New England with an English Puritan background and from northern Ireland with a Scotch-lrish tradition. Those differences led first to a fiery ordeal of ecclesiastical controversy and then to a spiritual awakening and a blending of diversity into a new order, American Presbyterianism. Several men stand out not only for having been tested by this ordeal but also for having made real contributions to the new order that arose from the controversy. The most important of these was Jonathan Dickinson. Bryan Le Beau has written the first book on Di...
This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems.
This study analyzes the biblical Tower of Babel story, a cautionary tale that accounts for the diversity of languages and peoples. The author pursues its linking of language, architecture, and society as well as its relevance in art and literature over centuries. To come to terms with a perceived disorder in the realm of language, alternative explanations and projects for remediation abound. The disorder and diversity themselves find expression in art, literature, and philosophical reflection and caused the emergence of a historical linguistics. The ambition of the builders—with its social and organizational premise—reemerges in both political and material form as cities, states, and monumental constructions. Utopian aspirations and linguistic claims permeate both revolutionary notions of universality and the romantic essentialism of the nation state. These in turn provoke dystopian critique in literature and film. As Martin Meisel reveals in this study, the wrestle with language in its recalcitrant instability and imperfect social function enters into dialogue with the celebration of its diversity, elasticity, and creativity.
Samuel Taylor Coleridge was the central figure in the dissemination of higher criticism, the analytical and historical study of the Bible begun in Germany in the late eighteenth century by Lessing, Herder, and Eichorn.
Samuel Taylor Coleridge frequently bridged the gap between British and European Romantic thought. This study sets Coleridge's mode of thinking within a German Romantic philosophical context as the place where his ideas can naturally extend themselves, stretch and find speculations of comparable ambition. It argues that Coleridge found his philosophical adventures in the dominant idiom of his times exciting and as imaginatively engaging as poetry. Paul Hamilton situates major themes in Coleridge's prose and poetic writings in relation to his passion for German philosophy. He argues that Coleridge's infectious attachment to German (post-Kantian) philosophy was due to its symmetries with the st...
Examines Hegel’s insights regarding the complexity and significance of embodiment in human life, identity, and experience. Meaning and Embodiment provides a detailed study of Hegel’s anthropology to examine the place of corporeity or embodiment in human life, identity, and experience. In Hegel’s view, to be human means in part to produce one’s own spiritual embodiment in culture and habits. Whereas for animals nature only has meaning relative to biological drives, humans experience meaning in a way that transcends these limits, and which allows for aesthetic appreciation of beauty and sublimity, nihilistic feelings of meaninglessness, and the complex and different systems of symbolic...
A culturally sensitive and rewarding new understanding of the cross-cultural interaction between China and Europe In this important new work author Yu Liu argues that, confined by a narrow English and European conceptual framework, scholars have so far obscured the radical innovation and revolutionary implication of Samuel Taylor Coleridge and William Wordsworth's monistic philosophy. Liu's innovative intellectual history traces the organic westward movement of the Chinese concept of tianren heyi, or humanity's unity with heaven. This monistic idea enters the European imaginary through Jesuit missionary Matteo Ricci's understanding of Chinese culture, travels through Spinoza's identification...
The Romantic period witnessed decisive interest in how feeling might align with forms of artistic expression. Many critical studies have focused on the serious side and melancholic moods of Romantic poets. Romantic Poets and the Laughter of Feeling instead embraces the sublime and the ridiculous to offer an original and compelling new reading of British Romanticism. It reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics. Matthew Ward shows that laughter was one of the primary means by which Romantics embraced and expanded upon, but also frequently aped and lampooned, sympathetic feeling. The laughter of feeling is both the expression of symp...