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Many students for whom English is a second language may be reticent in the classroom due to their perceived lack of English language fluency, among other reasons. The study featured in this book investigates the discourses of affective trauma, injustice and identity in the personal language narratives of academic literacy students enrolled into a four-year undergraduate degree programme at a South African university. The study also featured interviews with students and teaching staff, observations of tutorials, observations from the teacher, as well as a comprehensive survey. The purpose of the book is to attempt an analysis of the underlying reasons for the students’ apparent reticence an...
This book pulls back the curtain on the 'political miracle' of the new South Africa.
On Wieland; or the Transformation: "An impressive edition . . . the most thoroughly satisfying historical and literary contextualization for the novel that I've ever encountered. Shapiro and Barnard offer a rich transatlantic artistic and ideological context that helps pull the whole novel into coherent focus. The footnotes to the novel are incredibly thorough, helpful, and interesting. . . . This Hackett edition of Wieland [is] the freshest and most topical of those now available." --Dana D. Nelson, Vanderbilt University On Ormond; or, the Secret Witness: "Philip Barnard and Stephen Shapiro have produced an awesome edition of Brown's Ormond by providing copious explanatory notes and helpful...
This is the untold story of the most successful British and Irish Lions tour in history. The 1974 party are the only Lions ever to emerge undefeated.
Set during the epic Philadelphia yellow fever epidemic of 1793, Charles Brockden Brown's classic gothic novel Arthur Mervyn; or, Memoirs of the Year 1793 connects the outbreak with the upheavals of the revolutionary era and the murderous financial networks of Atlantic slavery. This edition of Arthur Mervyn offers selections from key contemporary texts as well as excerpts from Brown's own writings on slavery, race, and the uses of history in fiction.
Roy Freeman, a suburban Jewish teenager, is troubled by the injustices of apartheid South Africa in the 1960s. Prejudice is not, however, confined to the oppression of 'non-whites'; it permeates the diverse ethnic and religious groups in a nation founded on the ideology of racial superiority. Perplexed, often angry, he is a witness to the bigotry of his own family and friends. This captivating novel traces Roy's rite of passage from schoolboy to army conscript, from sexual ingenue to politicized university student. A succession of uproarious episodes and an assortment of unforgettable characters highlight the absurdities of everyday South African life. By turns comic and poignant, White Lies is an enthralling portrait of life in the 1960s in a country that still strives to overcome its iniquitous past, and achieve justice and equality.
When the National Government assumed power in 1948, one of the earliest moves was to introduce segregated education. Its threats to restrict the admission of black students into the four ‘open universities’ galvanised the staff and students of those institutions to oppose any attempt to interfere with their autonomy and freedom to decide who should be admitted. In subsequent years, as the regime adopted increasingly oppressive measures to prop up the apartheid state, opposition on the campuses, and in the country, increased and burgeoned into a Mass Democratic Movement intent on making the country ungovernable. Protest escalated through successive states of emergency and clashes with pol...
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
This 2007 book debates about religion and democracy through a cultural history of nineteenth-century revival practice.
The book investigates the problem of how narrative, normally conceived of temporally, encodes its relation to space, especially the territorial space that is the subject of colonial possession and dispossession. The book approaches this problem by, first, providing a theoretical framework derived from the work of Martin Heidegger and Emmanuel Levinas on the ethical and political implications of human dwelling, and, second, by using this framework to examine cultural forms in two historical periods, colonial America and postcolonial South Africa--the primary interest being the works of Charles Brockden Brown and J. M. Coetzee. This book is unique in its elaboration of a spatial-or more exactly, territorial --conception of narrative form.