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Images of Faith
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Images of Faith
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Mexican Fine Arts Center Museum
The Mexican Fine Arts Center Museum is located in Chicago, Illinois, and is a performing arts center and art museum. The museum highlights its permanent collection of Mexican art, which includes prints and drawings, popular art, photography, and contemporary paintings and sculptures by Mexican artists. Information about previous, current, and future exhibitions; educational outreach programs, performance art programs, and the Yollocalli Youth Museum of the Mexican Fine Arts Center Museum is available.
Mexican Chicago
Photographs from family archives, museums, and university collections capture the cultural, economic, and religious history of Chicago's Mexican communities, providing images of such neighborhoods as Pilsen, Little Village, Back of the Yards, and South Deering.
La Reina de Las Américas
Both a religious and a nationally revered cultural symbol, the Virgin of Guadalupe is one of the world's most interesting cultural icons. From the deeply religious who cherish her, to atheists and agnostics who see the Virgin as a symbol of mexicanidad, and to everyone in between, the Virgin is a symbol of deep significance for all Mexicans. This book catalogs an exhibition from the museum of the Basilica de Guadalupe in Mexico City. Paintings -- from formal portraits to anonymous ex votos -- as well as prints, sculptures, and textiles from the eighteenth to the twentieth century are catalogued and analyzed in a bilingual text that addresses both their art historical and their iconographic significance.
Bringing Aztlan to Mexican Chicago
Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.
