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Shakespeare, the Director's Cut: The histories
Michael Bogdanov looks at Shakespeare's histories, drawing comparisons with current political intrigues, infighting and lust for power.
The Romans in Britain
First staged at London's National Theatre in 1980, having been commissioned by Peter Hall, The Romans in Britain contrasts Julius Caesar's Roman invasion of Celtic Britain with the Saxon invasion of Romano-Celtic Britain, and finally Britain's involvement in Northern Ireland during The Troubles of the late twentieth century. As these scenes bleed into one another, Brenton suggests what it might have been like for these people to meet. Three Roman soldiers sexually assault a young druid priest. A lone, wounded Saxon soldier stumbles into a field, a nightmare made real. An army intelligence officer begins to lose his mind in the Irish fields. Brenton's sinewy vernaculars summon a lost history of cultural collision and oppression, of fear and sorrow. This edition features an introduction by Philip Roberts, Emeritus Professor of Drama & Theatre Studies at the University of Leeds, and a foreword by director Sam West.
Henry IV, Part One
This work is from a series on the performing and staging styles used in Shakespeare's plays. This text covers how the play has been presented by a number of theatres and theatre companies (eg, the Old Vic, the Shakespeare Memorial Theatre, the RSC), directors (eg, Peter Hall, Terry Hands, Orson Welles, Anthony Quayle, Cedric Messina, David Giles and Michael Bogdanov) and leading actors (eg, Olivier, Richardson, Burrell), from 1945 to 1986.
The Shakespeare Myth
"Q. Is 'the Shakespeare connection' (a) a family tree, (b) a drug racket, (c) a railway journey? A. It is all three. From the Carling Black Label television advertisement to the design of the £20 note, from Tony Hancock and Edna Everage to the Stratford Memorial Theatre, from O level exam question to Zeffirelli on the big screen, Shakespeare has permeated English life like no one before or since. The plays and their legendary author function and flourish in more varied and diverse forms than are usually reckoned. Through post-structuralist linguistics, historiographical research, psychoanalytic theories and feminist sexual politics, radical criticism exposes the existence of a culturally pr...
Is Shakespeare Still Our Contemporary?
This book is an account of a public seminar held in honour of Jan Kott's influential study, Shakespeare Our Contemporary. Attracting international contributors, the seminar focused on the relevance of her study for Shakespearian theatre today.
Shakespeare Survey: Volume 60, Theatres for Shakespeare
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Shakespeare Survey 60 is 'Theatres for Shakespeare'.
The End Crowns All
In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to recuperate and redirect their social energies. By giving special emphasis to theatrical reproduction as...
Progression in Secondary Drama
This text uses practical strategies and lesson ideas to show teachers how to help students progress. It also contains a section on using drama effectively to improve students' literacy.
