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The Michael X story is a tragicomedy of the 60s. It's the extraordinary, all but forgotten, story of a hustler from Trinidad who conquered swinging London. Michael X was the man who knew everyone from Muhammad Ali to Alexander Trocchi, Malcolm X to John Lennon, William Burroughs to Leonard Cohen.
Founded and rooted in Enlightenment values, the United States is caught between two conflicting imperatives when it comes to war: achieving perfect security through the annihilation of threats; and a requirement to conduct itself in a liberal and humane manner. In order to reconcile these often clashing requirements, the US has often turned to its scientists and laboratories to find strategies and weapons that are both decisive and humane. In effect, a modern faith in science and technology to overcome life's problems has been utilized to create a distinctly 'American Way of Warfare'. Carvin and Williams provide a framework to understand the successes and failures of the US in the wars it has fought since the days of the early Republic through to the War on Terror. It is the first book of its kind to combine a study of technology, law and liberalism in American warfare.
Featuring contributions from both upcoming and distinguished scholars, including Steven Lukes, Joseph Nye, and Stefano Guzzini, this volume explores the nature and location of ‘power’ in international politics through a variety of conceptual lenses.
Most anyone interested in such topics as creation mythology, Jungian theory, or the idea of "secret teachings" in ancient Judaism and Christianity has found "gnosticism" compelling. Yet the term "gnosticism," which often connotes a single rebellious movement against the prevailing religions of late antiquity, gives the false impression of a monolithic religious phenomenon. Here Michael Williams challenges the validity of the widely invoked category of ancient "gnosticism" and the ways it has been described. Presenting such famous writings and movements as the Apocryphon of John and Valentinian Christianity, Williams uncovers the similarities and differences among some major traditions widely...
‘A compelling 10-step escape from corporate life that could spell a rash of resignation letters’ – Sunday Times Stuck in a job that’s boring you to tears? Slogging away at a business that’s never quite taken off? Still can’t decide what you’d rather do? It’s time to say ‘enough’. The world has changed. It’s now possible for anyone to make a living from doing the things they love. The only problem is that no one has shown you how. Until now. Based on life-changing ideas and tools proven with tens of thousands of people over the last decade, F**k Work Let’s Play is your blueprint to create a work-life full of fun, freedom and creativity; something more like play than work. Packed full of stories from people who turned a passion into a living – or even a multi-million-pound business – you’ll discover 10 secrets to transform your working life, starting today. There’s no need to suffer unfulfilling work a moment longer. Whether you want to start a business, create your ideal job, or change the world, F**k Work, Let’s Play is your guide to doing what you love and getting paid for it.
In Unnatural Doubts, Michael Williams constructs a masterly polemic against the very idea of epistemology, as traditionally conceived. Although philosophers have often found problems in efforts to study the nature and limits of human knowledge, Williams provides the first book that systematically argues against there being such a thing as knowledge of the external world. He maintains that knowledge of the world consitutes a theoretically coherent kind of knowledge, whose possibility needs to be defended, only given a deeply problematic doctrine he calls "epistemological realism." The only alternative to epistemological realism is a thoroughgoing contextualism.
John Williams is a stand-up comedian. He is also a single father and full-time carer for his son, who has autism and cerebral palsy. This is their incredible story.
A rabbit and his friends have adventures in Eggtown.
Foreword by Tad Williams Feared by enemies and friends alike, Elric of Melniboné walks a lonely path among the worlds of the Multiverse. The destroyer of his cruel and ancient race, as well as its final ruler, Elric is the bearer of a destiny as dark and cursed as the vampiric sword he carries--the sentient black blade known as Stormbringer. Del Rey is proud to present the sixth and concluding installment of its definitive omnibus editions featuring fantasy Grand Master Michael Moorcock's most famous--or infamous--creation. Here is the full text of the novel The Revenge of the Rose, a screenplay for the novel Stormbringer, the novella Black Petals, the conclusion to Moorcock's influential "Aspects of Fantasy" essay series and other nonfiction, and an indispensable reader's guide by John Davey. Sumptuously illustrated by John Picacio, with a Foreword by Tad Williams, Elric: Swords and Roses is a fitting tribute to the most unique fantasy hero of all time.
This book assesses the influence and reception of many different forms of guitar playing upon the classical guitar and more specifically through the prism of John Williams. Beginning with an examination of Andrés Segovia and his influence upon Williams’ life’s work, a further three incisive chapters cover key areas such as performance, perception, education and construction, considering social and cultural contexts of the guitar over the past century. A final chapter on new directions in classical guitar examines the change in reception of the instrument from the mid-1970s to the present day, and Williams’ impact upon what might be termed ‘standard classical guitar repertoire’. With in-depth discussion of the cultural and perceptual impact of Williams’ more daring crossover projects and numerous musical examples, this is an informative reference for all classical guitar practitioners, as well as scholars and researchers of guitar studies, reception studies, cultural musicology and performance studies. An online lecture by the author and a transcript of the author’s interview with John Williams are also available as e-resources.