You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ever want to communicate more effectively with welding shop and plant personnel? This publication, written by a former welder and welding instructor for the U.S. Army, will help the IH who has little "hands-on" shop experience, particularly IH and safety students, IH and safety professionals with little or no practical background in welding health and safety, and welders and managers who need to identify and address the health and safety concerns of their operations. Major topics include health and safety considerations, welding terminology, equipment, welding and cutting in confined spaces, construction, maintenance, repair welding, and the health effects of metals, gases and other agents commonly encountered in welding processes. Enhanced by numerous figures provided by the American Welding Society.
Soon enough, nobody will remember life before the Internet. What does this unavoidable fact mean? Those of us who have lived both with and without the crowded connectivity of online life have a rare opportunity. We can still recognize the difference between Before and After. We catch ourselves idly reaching for our phones at the bus stop. Or we notice how, midconversation, a fumbling friend dives into the perfect recall of Google. In this eloquent and thought-provoking book, Michael Harris argues that amid all the changes we're experiencing, the most interesting is the end of absence-the loss of lack. The daydreaming silences in our lives are filled; the burning solitudes are extinguished. There's no true "free time" when you carry a smartphone. Today's rarest commodity is the chance to be alone with your thoughts. Michael Harris is an award-winning journalist and a contributing editor at Western Living and Vancouvermagazines. He lives in Toronto, Canada.
An insightful reflection on the mathematical soul What do pure mathematicians do, and why do they do it? Looking beyond the conventional answers—for the sake of truth, beauty, and practical applications—this book offers an eclectic panorama of the lives and values and hopes and fears of mathematicians in the twenty-first century, assembling material from a startlingly diverse assortment of scholarly, journalistic, and pop culture sources. Drawing on his personal experiences and obsessions as well as the thoughts and opinions of mathematicians from Archimedes and Omar Khayyám to such contemporary giants as Alexander Grothendieck and Robert Langlands, Michael Harris reveals the charisma a...
‘An elegant, thoughtful book . . . beautifully expresses the importance and experience of liberation from the battery-hen life of constant connection and crowds.’ Daily Mail ‘A compelling study of the subtle ways in which modern life and technologies have transformed our behaviour and sense of self.’ Times Literary Supplement In a world of social media and smartphones, true solitude has become increasingly hard to find. In this timely and important book, award-winning writer Michael Harris reveals why our hyper-connected society makes time alone more crucial than ever. He delves into the latest neuroscience to examine the way innovations like Google Maps and Facebook are eroding our ...
Richard Harris was a giant who oozed charisma on screen. But off screen he was troubled and addicted to every pleasure life could offer. Coming from a repressed Irish Catholic background, he was forced by a teenage illness to abandon his beloved rugby, but not his macho appetites. Discovering theatre saved him. He had found his calling. Despite marrying the daughter of a peer, he never tried to fit in. He was always a hell-raiser to the core, along with legendary buddies Richard Burton and Peter O'Toole. But he was more; he was a gifted poet and singer. He was an intelligent family man who took great interest in his craft, a Renaissance man of the film world. Every time his excesses threatened to kill his career – and himself – he rose magnificently from the ashes, first with an Oscar-winning performance as Bull McCabe in The Field, then in the Harry Potter franchise.
This book aims first to prove the local Langlands conjecture for GLn over a p-adic field and, second, to identify the action of the decomposition group at a prime of bad reduction on the l-adic cohomology of the "simple" Shimura varieties. These two problems go hand in hand. The results represent a major advance in algebraic number theory, finally proving the conjecture first proposed in Langlands's 1969 Washington lecture as a non-abelian generalization of local class field theory. The local Langlands conjecture for GLn(K), where K is a p-adic field, asserts the existence of a correspondence, with certain formal properties, relating n-dimensional representations of the Galois group of K wit...
It is not necessary to know how to do a statistical analysis to critically appraise a paper. However, it is necessary to have a grasp of the basics, of whether the right test has been used and how to interpret the resulting figures. Short, readable, and useful, this book provides the essential, basic information without becoming bogged down in the
“Pictures at a Revolution is probably one of the best books I've ever read in my life.” —Quentin Tarantino The New York Times bestseller that follows the making of five films at a pivotal time in Hollywood history In the mid-1960s, westerns, war movies, and blockbuster musicals like Mary Poppins swept the box office. The Hollywood studio system was astonishingly lucrative for the few who dominated the business. That is, until the tastes of American moviegoers radically- and unexpectedly-changed. By the Oscar ceremonies of 1968, a cultural revolution had hit Hollywood with the force of a tsunami, and films like Bonnie and Clyde, The Graduate, Guess Who's Coming to Dinner, In the Heat of the Night, and box-office bomb Doctor Doolittle signaled a change in Hollywood-and America. And as an entire industry changed and struggled, careers were suddenly made and ruined, studios grew and crumbled, and the landscape of filmmaking was altered beyond all recognition.