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Michael Leja offers a new, specifically visual, model for understanding American art in the decades before and after 1900.
In this original and wide-ranging study, Michael Leja argues that Jackson Pollock, Mark Rothko and other abstract expressionist artists were part of a culture-wide initiative to reimagine the self.
John Adams on the arts -- The Nation vs. Prang et Co. -- Should women artists marry? -- Dorothea Lange on documentary photography -- Emory Douglas, the Black Panther Party, and revolutionary art -- Fred Wilson exhibits suppressed histories.
Michael Leja offers a new, specifically visual, model for understanding American art in the decades before and after 1900.
“This book constitutes a very welcome contribution to the public appreciation and scholarly study of Henry Ossawa Tanner, a painter of considerable significance in both Europe and America, and one whose religious imagery merits careful consideration. These well-researched essays by an international team of scholars offer substantial reflections on complex issues of race and religion, and situate the artist’s work and career within the context of his life and times. This is a robust framing of Tanner as a cultural phenomenon and one that readers will find quite rewarding.”—David Morgan, Professor of Religion at Duke University and author of The Embodied Eye: Religious Visual Culture a...
Explores the complex relationship between American art and the new medium of film.
Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined. Historically and theoretically."--Jacket.
In about 25 BC tribesmen of the kingdom of Meroe placed a bronze head of Augustus, cut from a full-length statue, beneath the steps of a temple of victory: the decapitated head of the Emperor was thus regularly trampled underfoot. Two millennia later, during the second Gulf War, Iraqis 'insulted' a toppled bronze statue of Saddam Hussein by beating it with their shoes. Do these chronologically distant but apparently related examples of the defamation of images imply that the persons represented were regarded by their detractors as in some way 'present' in the images? Presence: The Inherence of the Prototype within Images and Other Objects reconsiders the notion of 'presence' in objects. The ...
Presents letters written by the American painter and his brothers and parents from the late 1920s to the late 1940s.