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Modernism
In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself. Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters. -- Book Description.
The Cambridge Companion to Modernism
In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.
A Genealogy of Modernism
A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
The Cambridge Companion to American Modernism
The Cambridge Companion to American Modernism provides a comprehensive and authoritative overview of American literary modernism from 1890 to 1939. These original essays by twelve distinguished scholars of international reputation offer critical overviews of the major genres, literary culture, and social contexts that define the current state of Modern American literature and cultural studies. Among the diverse topics covered are nationalism, race, gender and the impact of music and visual arts on literary modernism, as well as overviews of the achievements of American modernism in fiction, poetry and drama. The book concludes with a chapter on modern American criticism. An essential reference guide to the field, the Companion offers readers a chronology of key events and publication dates covering the first half of the twentieth century in the United States, and an up-to-date bibliography of further reading organized by chapter topics.
Modernism and the Fate of Individuality
Michael Levenson, author of the acclaimed A Genealogy of Modernism, devotes this second book to the complex question of the self, the individual subject, as it undergoes various transitions throughout the period we designate 'modernist'. The book is an elaborate and compelling engagement with the problem of individuality in our age, structured around a sophisticated reading of eight major novels by Conrad, James, Forster, Madox Ford, Lewis, Lawrence, Joyce and Woolf. Professor Levenson takes account of the large body of modern theoretical writing on this topic, and his study will be of interest to theorists, cultural historians, and literary scholars in equal measure. It addresses issues (the crisis of liberalism, challenge to Eurocentrism, advance of bureaucracy, contest between men and women) still of crucial concern in our culture, showing that the problem, when it comes to locating the self within the entanglements of a community, is one of defining a formal concept while at the same time preserving a moral value.
Can Mitt Romney Serve Two Masters?
Part l: Mitt Romney is both a participant and victim of the Mormon Religion. Mormonism is a well-masked cult that enslaves the minds of those raised in it. Did you know that Mitt Romney truly believes when he leaves this earth he will become a literal “God”, equal to Jesus Christ, and be awarded his own planet to “Lord” over? Mitt will call his wife, Ann, onto his planet in order to have continuous celestial sex to populate it with spirit babies who will then pop down (be reborn) to earthy mothers in order to walk out their own eternal progression to Mormon Godhood? This is not a joke! How can we trust the judgment of someone who truly believes these things? And it’s important for ...
The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism
The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.
Joyce and the Subject of History
Eleven essays that open tantalizing questions about Joyce and history
Beyond Postmodernism
Beyond Postmodernism: Onto the Postcontemporary is a collection designed to provide the reader with an alternative to viewing the world through the lens of Postmodernism. Contributors to this collection utilize and define such critical tools as transhumanism, post-post theory, posthumanism, and postcontemporary theory. Other essays focus on interpreting texts or genres, yielding impressive conclusions that were “beyond” the scope of postmodern discourse. Eclectic in nature, while examining works as diverse as Julia Ward Howe’s The Hermaphrodite and Salman Rushdie’s Satanic Verses, yet unified in a commonsensical statement that postmodernism has perhaps ruled too long in critical discussions, this collection is also designed to attract those seeking or awaiting something new in critical methodology to consider joining in the postcontemporary dialogue.
