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On March 29, 1971, a Canadian was found brutally murdered in a small Paris apartment. The victim, François Mario Bachand, was a radical member of the separatist Front de Libération du Québec (FLQ), the terrorist group that had been causing havoc in Canada, planting bombs and carrying out kidnappings. Bachand served a jail term in the early 1960s, and after his release he was considered a loose cannon, heartily despised by many associates. It was widely believed that the FLQ had killed one of its own. Twenty years after Bachand died in Paris, author Michael McLoughlin came across a single document in the National Archives of Canada that shed an eerie new light on the circumstances of Bacha...
Even a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. France, the military major power of the Western Front, carries the legacy of battles on its own soil, and countless French lives lost defending the nation from the Central Powers. It is no surprise that the impact of the First World War can still be seen in French films into the present day. French Cinema and the Great War: Remembrance and Representation provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films...
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Peter Mayle, author of A YEAR IN PROVENCE, writes in his Preface to this charming travel memoir: 'Michael Sadler was born in Lewes, a small town in the south of England. This was a geographical accident. He should have emerged from the womb in Paris, looking anxiously about him for a suitable place to have lunch.' He may not have been born there, but Michael Sadler eventually found his spiritual home. AN ENGLISHMAN IN PARIS is his delightful account of his first year in the French capital, describing with alternate affection and bemusement such continental confusions as the etiquette of flower-buying, the role of cricket in French foreplay, and the dangers 'black butter' presents not just to one's cholesterol levels but also to dry-cleaning bills. Beautifully observed and very funny, AN ENGLISHMAN IN PARIS will delight armchair travellers and Francophiles alike.
The index to the Biographical Archive of the Middle Ages makes accessible about 130,000 biographical articles from nearly 200 volumes. The entries contain short biographical information on approx. 95,000 persons from Europe and the Middle East who shaped the cultural development and the religious life during one thousand years.
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Britain's outstanding military achievement in the First World War has been eclipsed by literary myths. Why has the Army's role on the Western Front been so seriously misrepresented? This 2002 book shows how myths have become deeply rooted, particularly in the inter-war period, in the 1960s, and in the 1990s. The outstanding 'anti-war' influences have been 'war poets', subalterns' trench memoirs, the book and film of All Quiet on the Western Front, and the play Journey's End. For a new generation in the 1960s the play and film of Oh What a Lovely War had a dramatic effect, while more recently Blackadder has been dominant. Until more recently, historians had either reinforced the myths, or had failed to counter them. This book follows the intense controversy from 1918 to the present, and concludes that historians are at last permitting the First World War to be placed in proper perspective.
This book addresses the legacy of World War II on male identity and reinvention. It considers some of the many ways in which popular culture of the time sought to mediate these difficult transitions, exploring films, popular fiction, memoir and biography.