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Jet
The weekly source of African American political and entertainment news.
Light List
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She's a Beauty!
This new edition of Loffler's extensively researched original book about the history of the first two Holden models includes stories never told before, photographs never published, and a wealth of technical information. Lay readers and holden buffs alike will enjoy the 375 period photos and the wealth of information about one of the most significant periods in Australian motoring history. Includes 6 new chapters, and 100 new photos never published before.
Naming Your Little Geek
The ultimate book of baby names for comic book nerds, sci-fi fans and more—with the meanings and stories behind more than 1,000 names! Having trouble finding a baby name that celebrates your favorite fandom? Whether you want your child’s name to stand out in a crowd or fit in on the playground, Naming Your Little Geek is here to save the day! This ultimate guidebook is complete with every name a geek could want to give their baby—from Anakin and Frodo to Indiana and Clark; and from Gwen and Wanda to Buffy and Xena—plus their meanings, and a list of all the legends who have borne them. Naming Your Little Geek covers everything from comic book superheroes to role-playing game icons, Starfleet officers to sword and sorcery legends with characters who have appeared on film and TV, in novels and comic books, on the tabletop, and beyond. With nearly 1,100 names referencing more than 4,400 characters from over 1,800 unique sources, it's the perfect resource for parents naming a child or anyone looking for a super cool and meaningful new name.
X-Men
Collects X-Men: Legacy #260.1, 261-265. Based at the new Jean Grey School for Higher Learning, Rogue leads a squad of veteran X-Men charged with teaching - and safeguarding - the next generation of mutants. But that proves to be no easy task when new threats emerge every day at the school, from the interdimensional demons known as the N'Garai to an out-of-control Weapon Omega. And the deadliest enemy of all may be the near-omnipotent mutant called Exodus, who blames Wolverine and his team for the schism that split the X-Men in two, and he'll do everything in his vast power to reunite the species - including removing anyone who stands in his way.
Screening Charles Dickens
Among professional storytellers whose works have been adapted for cinematic dramatization, mid-19th century English novelist Charles Dickens stands in a class of his own. In addition to his most well-known works such as A Christmas Carol and Oliver Twist, which are unrivaled for their sheer number of film adaptations, each of Dickens' other major works have been adapted for the screen multiple times, and many remain accessible for viewing on a variety of platforms. This survey highlights the most popular adaptations of each Dickens book, spanning from the films of the silent era through the 21st century. The survey also includes a critical examination that compares the adaptations to the original texts. An analysis outlines the many connections between the fictional narratives and the novelist's own frequently misunderstood biography.
English Filming, English Writing
Jefferson Hunter examines English films and television dramas as they relate to English culture in the 20th century. He traces themes such as the influence of U.S. crime drama on English film, and film adaptations of literary works as they appear in screen work from the 1930s to the present. A Canterbury Tale and the documentary Listen to Britain are analyzed in the context of village pageants and other wartime explorations of Englishness at risk. English crime dramas are set against the writings of George Orwell, while a famous line from Noel Coward leads to a discussion of music and image in works like Brief Encounter and Look Back in Anger. Screen adaptation is also broached in analyses of the 1985 BBC version of Dickens's Bleak House and Merchant-Ivory's The Remains of the Day.
Law Enforcement in American Cinema, 1894-1952
Widespread law enforcement or formal policing outside of cities appeared in the early 20th century around the same time the early film industry was developing--the two evolved in tandem, intersecting in meaningful ways. Much scholarship has focused on portrayals of the criminal in early American cinema, yet little has been written about depictions of the criminal's antagonist. This history examines how different on-screen representations shifted public perception of law enforcement--initially seen as a suspicious or intrusive institution, then as a power for the common good.
