You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Darker Shores is a Victorian ghost story which manages to be playfully intelligent, emotionally resonant and also quite scary. Its ghoulish atmosphere, biblical fanaticism and dark, knowing wit results in a piece which is both menacing and funny. The plot is as follows: it is Christmas 1875 and Professor Gabriel Stokes takes lodgings at The Sea House, on a desolate stretch of the East Sussex coast. No sooner has he arrived than the troubled history of the house comes to the fore with unexplained and mysterious happenings. Having enlisted the help of Tom Beauregard, an American spiritualist, the two embark on a terrifying journey to discover the truth. Following the traditions of the finest ghost stories, Darker Shores is a gripping and shadowy tale of suspense. Published to coincide with its world premiere at Hampstead Theatre, London 3 Dec 2009 -16 Jan 2010.
This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic’s power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.
A new play by the award-winning writer, which premiered at the Birmingham Rep in 2000 and transferred to London's Tricycle theatre "Yu gwan on about love, you can't even si love when it right under yer nose" Since their childhood, when Heather left Jamaica to start a new life in England, her half-sister Bernice always claimed to have 'the gift' of raising spirits from the dead. Thirty years later, when Heather returns to the island after the murder of her much-loved son, she offers Bernice the deeds to the family house - if she can bring him back... "Roy Williams shows himself to be a sassy, sophisticated diviner of the human heart" (Evening Standard)
Theatre in Towns offers a contemporary perspective on the role of theatre in the cultural life of towns in England. Exploring volunteer-led, professional and community theatres, this book investigates the rich and diverse ways that theatres in towns serve their locality, negotiate their civic role, participate in networks of mutual aid and exchange, and connect audiences beyond their geographical borders. With a geographical focus on post-industrial, seaside, commuter and market towns in England, the book opens questions about how theatre shapes the narratives of town life, and how localism, networks and partnerships across and between towns contribute to living sustainably. Each chapter is ...
Winner of the George Devine Award for 2002, published to tie in with the opening at the Traverse Theatre at the Edinburgh Festival And that is why we can't have these/Fatally radiant creatures/Walking round the place/Reminding us how clumsy/And mean-spirited/And graceless/And cowardly/And shapeless/And flabby and foul we all are. In a drowned world - how far will you go to save your own skin? In this vicious tale of love, revolt and beauty, Gary Owen presents a vision of a world divided between citizens and non-citizens, where friends betray one another and where surfaces matter more than love or kinship. "A blazing new talent" Guardian "A blast of brilliant theatrical writing straight from the heart of post-modern Wales" Scotsman
A cryptic but revealing diary entry, penned by an anonymous hand. A killer in the midst of a group of friends, waiting for their moment to strike. A body - but why would they be the killer's intended victim? The identities of all three are left as a guessing game-right until the climatic and dramatic ending. This sets the foundations that The Absence of Friends uses in a whodunit with a chilling twist. The story spans more than four decades prior, following the lives and loves of each of the main characters as they all find themselves colliding into one another's worlds and into the crux of a hellish nightmare that none will allow themselves to ever forget. Shocking revelations come to the fore as each character's past is delved into and unravelled, taking us straight to the heart of their exciting highs and tense lows. Nail-biting tension mounts as the final tragedy strikes, leading us into an explosive finale that you wouldn't ever have seen coming. But with such strong bonds being forged amongst the friends, - who has the motive to kill? - who is their intended victim? - and who is the mysterious diary writer?
Traditionally in the West, children were expected to “know their place,” but what does this comprise in a contemporary, globalized world? Does it mean to continue to accept subordination to those larger and more powerful? Does it mean to espouse unthinkingly a notion of national identity? Or is it about gaining an awareness of the ways in which identity is derived from a sense of place? Where individuals are situated matters as much if not more than it ever has. In children’s literature, the physical places and psychological spaces inhabited by children and young adults are also key elements in the developing identity formation of characters and, through engagement, of readers too. The...
Saturday night, small town Wales, one pub, one party and three lads stuck with their school reputations - the gimp, the geek and the bully. Their dream - to get the hell out With a dead cat stuffed through a letterbox, a soupcon of mindless violence and the perfect girl to die for, Crazy Gary's Mobile Disco bristles with the desperately ordinary, the truly extraordinary, and the just plain mad. Heroic, comic and right up your street, director Vicky Featherstone's reputation for excellence coupled with Gary Owen's dazzling gist for storytelling, creates another unmissable hit for Paines Plough in a co-production with Sgript Cymru - national new writing company of Wales. Produced by Paines Plough, with Sgript Cymru, and directed by Vicky Featherstone, Crazy Gary's Mobile Disco premiered at the Chapter Arts Centre, Cardiff, in February 2001.
None
None