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Film Stories
This volume contains three new screenplays (Bedrock, Old World and New, and Falling Angels) by the writer-director of the prize-winning films Nothing But a Man, The Plot against Harry, Vengeance Is Mine, and Pilgrim, Farewell.
Shocked But Connected
Why do funny movies make us laugh? In this thoughtful essay, by turns stimulating and meditative, distinguished filmmaker and Yale professor Michael Roemer shares his musings on what causes us to chortle, snort, and guffaw when we watch antics onscreen or onstage. Roemer keeps us chuckling as he dissects punchy one-liners, Shakespearean plays, and everything in-between. Incorporating theories from such great thinkers as Sigmund Freud, Charles Baudelaire, Henri-Louis Bergson, and Soren Kierkegaard with the work of classic comedians like Charlie Chaplin, Buster Keaton, and the Marx Brothers, Roemer examines the purpose of comedy in our lives and in society. Shocked But Connected provides a serious reflection on a lighthearted subject.
Film Stories
"This volume contains three new screenplays by the writer-director of the prize-winning films Nothing But a Man, The Plot Against Harry, Vengeance is Mine and Pilgrim, Farewell." --Book Jacket.
Telling Stories
Asks important questions about the very nature of stories and examines why we read stories rather than just learning the endings.
Robert M. Young
Robert Young began his prolific filmmaking career while a student at Harvard University, where he majored in English literature, founded the Harvard Film Society, and, with the help of several colleagues, put together his first film (about a Boston factory worker). His reputation as a documentary filmmaker earned him a prestigious position with NBC, and he has since worked within and without the Hollywood production system for five decades. At age 80, Robert M. Young continues to be actively involved in a variety of projects as a commercially successful filmmaker and an independent artist. In this compilation of 15 essays, scholars of both English literature and film analyze the aesthetic and thematic elements of Young's many works. Among the films examined are Nothing But a Man, Triumph of the Spirit, Cortile Cascino, ALAMBRISTA!, Short Eyes, Ballad of Gregorio Cortez, Extremities, Dominick and Eugene, Talent for the Game, Roosters, Caught, and Human Error. The book includes an extensive interview with Young that provides a retrospect of Young's life as a director, cinematographer, writer and producer. A filmography of Young's work and a chronology of his life are also provided.
The Politics & Poetics of Black Film
Written and directed by two white men and performed by an all-black cast, Nothing But a Man (Michael Roemer, 1964) tells the story of a drifter turned family man who struggles with the pressures of small-town life and the limitations placed on him and his community in the Deep South, an area long fraught with racism. Though unmistakably about race and civil rights, the film makes no direct reference to the civil rights movement. Despite this intentional absence, contemporary audiences were acutely aware of the social context for the film's indictment of white prejudice in America. To help frame and situate the film in the context of black film studies, the book gathers primary and secondary resources, including the original screenplay, essays on the film, statements by the filmmakers, and interviews with Robert M. Young, the film's producer and cinematographer, and Khalil Gibran Muhammad, the Director of the Schomburg Center for Research in Black Culture.
Asia and Africa
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New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
