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Some critics rank biographers just above serial murderers. The author of this book, a self-described member of the Samuel Johnson school, doesn't share this view. An account of a life, he believes, should adhere to the truth as the biographer sees it, not to the sentiments of others. This memoir of a professional biographer's life tells the inside story of how he became interested in his subjects and reveals the mechanics of the trade: how to assemble proposals for publishers, conduct interviews and archival research, and joust with editors, subjects and their literary estates. Other biographers have described their process but remained discrete, not wishing to offend their sources and supporters. This author has forgone such caution.
Now, exactly fifty years after the publication of his first book, George Greenfield looks back over a memorable half-century in the book world. With humour and insight he comments on the businesses of publishing and agenting, and delightfully recalls many of the anecdotes and incidents accumulated during a distinguished career.
In this authorised biography, Zachary Leader argues that Kingsley Amis was not only the finest comic novelist of his generation, but a dominant figure in post-war British writing, as novelist, poet, critic and polemicist. Drawing not only on interviews with a range of Amis's friends, relatives, fellow writers, students and colleagues, many of them never before consulted, but also on hundreds of previously unpublished letters, Leader's biography will for the first time give a full picture of Amis's childhood, school days, life as a teacher, critic, political and cultural commentator, professional author, husband, father and lover. He explores Amis's fears and phobias, and the role that drink played in his life. And of course he pays due attention to Amis's work. As the editor of The Letters of Kingsley Amis, hailed in The Sunday Telegraph as 'one of the last major monuments to the epistolary art', Leader is more than qualified to be his authorised biographer. His book will surprise, entertain and illuminate.
Written by a team of eminent historians, these essays explore how ten twentieth-century intellectuals and social reformers sought to adapt such familiar Victorian values as `civilisation', `domesticity', `conscience' and `improvement' to modern conditions of democracy, feminism and mass culture. Covering such figures as J.M. Keynes, E.M. Forster and Lord Reith of the BBC, these interdisciplinary studies scrutinize the children of the Victorians at a time when their private assumptions and public positions were under increasing strain in a rapidly changing world. After the Victorians is written in honour of the late Professor John Clive of Harvard, and uses, as he did, the method of biography to connnect the public and private lives of the generations who came after the Victorians.
The first ever comprehensive history of anti-Semitism in England, from medieval murder and expulsion through to contemporary forms of anti-Zionism in the 21st century.
On the 400th anniversary of Shakespeare's death, this collection opens up the social practices of commemoration to new research and analysis. An international team of leading scholars explores a broad spectrum of celebrations, showing how key events - such as the Easter Rising in Ireland, the Second Vatican Council of 1964 and the Great Exhibition of 1851 - drew on Shakespeare to express political agendas. In the USA, commemoration in 1864 counted on him to symbolise unity transcending the Civil War, while the First World War pulled the 1916 anniversary celebration into the war effort, enlisting Shakespeare as patriotic poet. The essays also consider how the dream of Shakespeare as a rural poet took shape in gardens, how cartoons challenged the poet's élite status and how statues of him mutated into advertisements for gin and Disney cartoons. Richly varied illustrations supplement these case studies of the diverse, complex and contradictory aims of memorialising Shakespeare.
After completing his biography of Rebecca West in 1995, Carl Rollyson felt bereft. As his wife said, "Rebecca was such good company." He had already embarked on another biography, but Rebecca kept beckoning him. He felt there was more to say about her politics-a misunderstood part of her repertoire as reporter and novelist. And had he done justice to her enormous sense of fun and humor? He regretted excising the portrait of her he wanted to put at the beginning of his biography. His editor kept cutting away at what he called Rollyson's doorstop of a book. And then after years of waiting, Rollyson received her FBI file. He kept running into Rebecca, so to speak, when he was working on his biographies of Martha Gellhorn and Jill Craigie. Interviews in London often turned up people who had known West as well. Thus piece by piece, Rollyson accumulated what is now another book about Rebecca West. This new collection tells the story of how his biography got written, of what it means to think like a biographer, and why West's vision remains relevant. She is one of the great personalities and writers of the modern age, and one that we are just beginning to comprehend.
In today's "post-truth" world, we are becoming inundated with fantasy fictions, "alternate news," and grossly oversimplified (and wildly exaggerated) conspiracy theories that identify cryptocratic power structures ruling our fates. But suppose the truth is both stranger than any fiction and more nuanced and disturbing than any theory? Suppose it is not conspiracy but complicity that creates our world?Beginning as an investigation into the author's childhood inside a closet aristocracy of "progressive" British entrepreneurs, The Vice of Kings uncovers a history both disturbingly personal and shockingly universal. By juxtaposing disc jockey Jimmy Savile's secret cultural, criminal, and political affiliations in the second half of the 20th century with the life and teachings of Aleister Crowley in the first, it uncovers an alarming body of evidence that organized child abuse is not only the dark side of occultism, but the shadowy secret at the heart of culture, both ancient and modern.