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The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts.
For more than two hundred years, Jews have played important roles in the development of American literature. The Cambridge Companion to Jewish American Literature addresses a wide array of themes and approaches to the distinct yet multifaceted body of Jewish American literature. Essays examine writing from the 1700s to major contemporary writers such as Saul Bellow and Philip Roth. Topics covered include literary history, immigration and acculturation, Yiddish and Hebrew literature, popular culture, women writers, literary theory and poetics, multilingualism, the Holocaust, and contemporary fiction. This collection of specially commissioned essays by leading figures discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike.
The book consists of 16 case-studies on issues relating to memory, the majority of which stem from a conference in April 2005 at the Institute of Advanced Studies at the Hebrew University of Jerusalem. Public memory is tackled from a variety of angles and various disciplines, ranging across the humanities, the social sciences and the exact sciences. First and foremost the reader will obtain a comprehensive overview of the results of scholarship published in recent years about public memory. Second, the book provides a profound insight into how public memory works within societies of different nature and at different junctures of their histories. The volume begins by offering a glimpse into individual memory, and then goes on to discuss religious societies, ethnic groups, secular groups, institutions and larger segments of society, ultimately reaching the nation state. The authors, each in his or her own discipline, have addressed the complexities involved in the creation of public memory, the media that promote and preserve it within groups and societies, and finally the nature of memory and how it «behaves» during changing circumstances and changing regimes.
A comprehensive assessment of Holocaust literature, from World War II to the present day
Review: "This encyclopedia offers an authoritative and comprehensive survey of the important writers and works that form the literature about the Holocaust and its consequences. The collection is alphabetically arranged and consists of high-quality biocritical essays on 309 writers who are first-, second-, and third-generation survivors or important thinkers and spokespersons on the Holocaust. An essential literary reference work, this publication is an important addition to the genre and a solid value for public and academic libraries."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004
From legends like Eugene O'Neill, Tennessee Williams, and Arthur Miller to successful present-day playwrights like Neil LaBute, Tony Kushner, and David Mamet, some of the most important names in the history of theater are from the past 80 years. Contemporary American theater has produced some of the most memorable, beloved, and important plays in history, including Death of a Salesman, A Streetcar Named Desire, Barefoot in the Park, Our Town, The Crucible, A Raisin in the Sun, and The Odd Couple. Historical Dictionary of Contemporary American Theater presents the plays and personages, movements and institutions, and cultural developments of the American stage from 1930 to 2010, a period of vast and almost continuous change. It covers the ever-changing history of the American theater with emphasis on major movements, persons, plays, and events. This is done through a chronology, an introductory essay, an extensive bibliography, and over 1,500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American theater.
Over 40 historians, folklorists, and ordinary Brooklyn Jews present a vivid, living record of this astonishing cultural heritage. 150 illustrations. Map.
This collection of essays, representing three generations of Polish and Jewish scholars, is the first attempt since the fall of Communism to reassess the existing historiography of Polish-Jewish relations just before, during, and after the Second World War. In the spirit of detached scholarly inquiry, these essays fearlessly challenge commonly held views on both sides of the debates.
Philippe Codde provides a comparative cultural analysis of the unprecedented success of the Jewish novel in the postwar United States by situating the process and event in the context of three closely-related American cultural movements: the popularity in the US of French philosophical and literary existentialism, the increasing visibility of the Holocaust in US-American life, and the advent of radical theology. Codde argues that the literary repertoire of the postwar Jewish novel consists of an amalgam of these cultural elements that were making their mark in the political, religious, and philosophical systems of the United States at the time, and that this explains, in part, the Jewish novel's sweeping success in the American literary system.
In the best literary tradition, Bernard Malamud uses the particular experiences of his subjects—Eastern European Jews, immigrant Americans, and urban African Americans—to express the universal. This book offers an exploration of this beloved American writer's fiction, which has won two National Book Awards and a Pulitzer Prize. In addition to the literary studies, personal recollections by son Paul Malamud, memoirs and portraits by good friends, colleagues, and fellow writers such as Cynthia Ozick, Daniel Stern, and Nicolas Delbanco illuminate Malamud's life and work. The contributors reveal that in an age that deconstructs, Malamud's voice does not. Instead, it speaks clearly and imaginatively with the weight of ancient traditions and the understanding of modern conditions.