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The central issue of Michael Tracey's study is that public service broadcasting sadly has a limited future and that this is an indication of a real and deep-seated crisis within liberal democratic systems.
A timely collection of deeply personal, uplifting, and powerful essays that celebrate the redemptive strength of Black joy--in the vein of Black Girls Rock, You Are Your Best Thing, and I Really Needed This Today. When Tracey M. Lewis-Giggetts wrote an essay on Black joy for The Washington Post, she had no idea just how deeply it would resonate. But the outpouring of responses affirmed her own lived experience: that Black joy is not just a weapon of resistance, it is a tool for resilience. With this book, Tracey aims to gift her community with a collection of lyrical essays about the way joy has evolved, even in the midst of trauma, in her own life. Detailing these instances of joy in the context of Black culture allows us to recognize the power of Black joy as a resource to draw upon, and to challenge the one-note narratives of Black life as solely comprised of trauma and hardship. Black Joy is a collection that will recharge you. It is the kind of book that is passed between friends and offers both challenge and comfort at the end of a long day. It is an answer for anyone who needs confirmation that they are not alone and a brave place to quiet their mind and heal their soul.
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.
Join everyone’s favorite boss for a hilarious adventure with this take-charge retelling of The Boss Baby! DreamWorks Animation’s The Boss Baby, based on the Simon & Schuster book by Marla Frazee, is now an Oscar-nominated motion picture! From the day the Boss Baby arrived in a taxi, life would never be the same for his older brother, Tim. Sure, the Boss Baby had Tim’s parents wrapped around his chubby, little finger, but Tim knew the truth…this was no ordinary baby. He held meetings! He could talk! And he was on a top-secret mission to stop Puppy Co. from coming out with the cutest puppy of all time and causing Baby Corp to go out of business! But the Boss Baby needs Tim’s help. And if the Boss Baby doesn’t succeed, he’ll be fired from Baby Corp and these two rival siblings will be forced to be brothers forever. Can Tim make a deal with the Boss Baby, stop Puppy Co., and get the Boss Baby out of his life for good? (And will the Boss Baby finally get the corner office with the private potty he deserves?) Find out in this retelling of the new movie! The Boss Baby © 2017 DreamWorks Animation LLC. All Rights Reserved.
For thousands of young Australians the tearful dockside farewell was a rite of passage as they boarded ships bound for London. For some the journey was an extended holiday, but for many actors, painters, musicians, writers and journalists, leaving Australia seemed to be the only path to personal and professional fulfilment. This book, first published in 2000, is a collective biography of those people who found themselves categorised as expatriates - people such as Leo McKern, Dame Joan Sutherland, Barry Tuckwell, Don Banks, Phillip Knightley, John Pilger, Peter Porter, Richard Neville, Jill Neville and 'megastars' Barry Humphries, Germaine Greer and Clive James. The book tells of choices they made about career and country, yet it is also a cultural history that traces shifts in the complex relationship between Australia and Britain, as the supposed colonial backwater began to develop its own cultural identity.
Para-Sites, the penultimate volume in the Late Editions series, explores how social actors located within centers of power and privilege develop and express a critical consciousness of their own situations. Departing from the usual focus of ethnography and cultural analysis on the socially marginalized, these pieces probe subjects who are undeniably complicit with powerful institutional engines of contemporary change. In each case, the possibility of alternative thinking or practices is in complex relation to the subject's source of empowerment. These cases challenge the condition of cynicism that has been the favored mode of characterizing the mind-set of intellectuals and professionals, comfortable in their lives of middle-class consumption and work. In their effort to establish para-sites of critical awareness parallel to the levels of political and economic power at which they function, these subjects suggest that those who lead ordinary lives of modest power and privilege might not be parasites in relation to the systems they serve, but may be creating unique and independent critical perspectives.
THE SUNDAY TIMES BESTELLER AND WINNER OF THE ATTITUDE BOOK AWARD 'I love this man so much. He was, and always will be, my knight in shining Westwood.' DAVINA MCCALL 'This is a story that should never have been told' KATE MOSS 'The perfect beach read' THE SUNDAY TIMES 'If you want to change your life but can't.. I strongly advise you read this book' TRACEY EMIN As one of club culture's most notorious - and best loved - figures, Tony is a complete force of nature. Here he tells the most extraordinary stories of depravity and hedonism, of week-long benders and extreme self-destruction - and of recovery, redemption, friendship and the joy of a good tune. _________________________________________...
I am Biberkopf, Rainer Werner Fassbinder declared, aligning himself with the protagonist of his widely seen television adaptation of Berlin Alexanderplatz. The statement provoked an unprecedented national debate about what constituted an acceptable German artist and who has the power to determine art. More than any recent German director, Fassbinder embodied this debate, and Jane Shattuc shows us how much this can tell us, not just about the man and his work, but also about the state of "culture" in Germany. It is fascinating in itself that Fassbinder, a highly controversial public f.
It is widely acknowledged that this is the age of moral panics. From the Bulger case to mad cow disease, newspaper headlines continually warn of some new danger and television programmes echo the theme with sensational docmenturies. This concise survey will help student trace the development of ideas of moral panic and to analyse how changing public perceptions are shaped and reflected through the media over time. Using examples drawn from: * club culture and raves * mugging * sex and AIDS * children, violence and the family.
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