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Event of Signature formulates a new philosophical problem which focuses on the handwritten signature as sign of legal identification. Author Michaela Fišerová works with three metaphysical expectations, which are shared in discourses of graphology and forensic analysis. The first expectation tends to reveal the signer's soul: a handwritten signature "naturally" mirrors the unique psychological qualities of the signer. The second expectation tends to guarantee the originality of the signer's trace: a handwritten signature proves physical contact between the signed document and the writing tool "authentically" moved by the signer's hand. The third expectation tends to recognize the signer's ...
“The people are missing” is a constant refrain in Gilles Deleuze and Félix Guattari’s writings after the 1975 publication of Kafka: Pour une litterature mineure. With the translation of this work into English (Kafka: Toward a Minor Literature) in 1986, the refrain quickly became a hallmark of political interpretation in the North American academy and was especially applied to the works of minorities and postcolonial writers. However, in the second cinema book, Cinéma 2: L’Image-temps, the refrain is restricted to third-world cinema, in which Deleuze and Guattari locate the conditions of truly postwar political cinema: the absence, even the impossibility, of a people who would const...
In this erudite new work, Elliot R. Wolfson explores philosophical gnosis in the writings of Susan Taubes, Gillian Rose, and Edith Wyschogrod. The juxtaposition of these three extraordinary, albeit relatively neglected, philosophers provides a prism through which Wolfson scrutinizes the interplay of ethics, politics, and theology. The bond that ties together the diverse and multifaceted worldviews promulgated by Taubes, Rose, and Wyschogrod is the mutual recognition of the need to enunciate a response to the calamities of the twentieth century based on an incontrovertible acknowledgment of the decadence and malevolence of human beings, without, however, succumbing to acrimony and despair. Th...
When violence breaks out at the stands of far-right publishers at the Frankfurt Book Fair, Beatrice Deft is provoked into action. An alienated Australian high school teacher who finds herself at the centre of the global book industry, Beatrice encounters a cast of characters including the very hot Caspian Schorle (German police officer), Kurt Weidenfeld (left-wing German publisher), and White Storm (a neo-Nazi publishing organisation). Such is the premise of The Frankfurt Kabuff, a comic erotic thriller about the publishing industry originally self-published under the pseudonym Blaire Squiscoll. With The Frankfurt Kabuff Critical Edition, Blaire Squiscoll is revealed as the pen name of Beth ...
The book examines the origins, nature, and impact of different facets of political knowledge in the Czech Republic between 1967 and 2014. The central argument presented in this book is that evaluating citizens on the basis of objective, or factual, knowledge alone makes little sense. What citizens know about politics comes from a variety of sources that are complementary. This is the first detailed study of how much Czechs know about politics, and why it matters. Here are some of the key findings of this book. There are many forms of political knowledge.Citizens make decisions using different forms of political knowledge.Czechs knowledge of politics has remained constant over time.How people answer knowledge questions in surveys matters.Political knowledge is shaped by personality traits.Factual knowledge is linked with forecasting social change, but is not always linked with making correct voting.Experts with high levels of knowledge do not agree on what is a correct answer.
How to Make Our Signs Clear is the result of an international cooperation between European and Brazilian Peircean scholars (I. A. Ibri, E. Višňovský, C. Paolucci and others) and strives to dispel simplifications of Peirce ́s semiotic as well as to collect various insights into it and into its consequences for philosophy, especially philosophy of language, pragmatism and epistemology. The central theme of this book is the notion of the sign as a specific triadic relational unit, treated from various perspectives and applied to various fields of philosophy: semeiotic knowledge grows up from the discussions, common interests and possible conflicts between the readers of Peirce ́s works. This book does not offer a general overview of Peirce ́s theory of signs, but rather various analyses of consequences of some capacities of his semiotic.
Mabogo P. More: Philosophical Anthropology is the first book to provide an extensive treatment of More’s Africana existential thought. This book locates him, as it is clear in his body of work, in the Azanian (Black and Indigenous) existential tradition. As a philosopher, he is engaged from the perspective of black radical thought. From this intervention, it is clear that his philosophical project originates and is expressed from the existential condition of being-black-in-an-antiblack-world. It is from the lived experience and the fact of being black that More is meditated upon and this book, which is the extension of his work, brings to the forth the ways of thinking, knowing, and doing that that illuminate his philosophical project.
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Kolektivní monografie přináší reflexi obrazu a vizuality z hlediska filozofie, sémiotiky, estetiky a dějin umění.
A generously illustrated training manual for reading images, discussing work by Félix Nadar, Roland Barthes, Fazal Sheikh, Susan Meiselas, and others. Paper Graveyards is neither a work of traditional art history nor one of literary criticism. It is not strictly a history of ideas either, notwithstanding its very obvious erudition. Rather, in drawing upon all of these methods and approaches—and with extraordinary attention to language and style—Cadava’s writing examines the spectacular explosion of images during the last twenty years as a prompt to discuss not simply specific images but the role and place of these images in our everyday life. Considering work by Félix Nadar, Roland B...