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Worshipping Athena
Ten papers from 1992 symposia at Dartmouth College and Princeton University are augmented by an original chapter and a translation of a Greek article, to explore the myth and cult of Athena, contests and prizes associated with her worship, and art and politics generated around her. Among the topics are women in the Panathenaic and other festivals, the iconography of shield devices and column-mounted statues on amphoras, and the Panatheniaia in the age of Perikles. Paper edition (unseen), $22.95. Annotation copyright by Book News, Inc., Portland, OR
The Late Geometric and Early Archaic North-Eastern Aegean
The book focuses on the archaeology of the Late Geometric and Early Archaic North-Eastern Aegean through the emergence, manufacture, distribution and consumption of a regional pottery group known as G 2-3 Ware. It offers the first comprehensive, in-depth study through combination of scientific (fabric analysis) and traditional (morphological, stylistic, comparative and distribution analysis) methods. The large body of studied material allows for drawing conclusions on a broader geographical and historical scale, in contrast to earlier studies focused on individual sites. The manufacture, distribution and consumption patterns are characterised by diversity, which reflects a dynamic, multiethn...
Greek Colonisation
The 3-volume handbook is dedicated to one of the most significant processes in the history of ancient Greece - colonisation. Greeks set up colonies and other settlements in new environments, establishing themselves in lands stretching from the Iberian Peninsula in the west to North Africa in the south and the Black Sea in the north-east. In this colonial world Greek and local societies met, influenced and enriched each other. The handbook brings together historians and archaeologists, all world experts, to present the latest ideas and evidence. The principal aim is to present and update the general picture of this phenomenon, showing its importance in the history of the whole ancient world, including the Near East. The work is dedicated to the late Prof. A.J. Graham. This second volume contains chapters on Central Greece on the eve of the colonisation movement, foundation stories, colonisation in the Classical period, the Adriatic, the northern Aegean, Libya and Cyprus.
Ceramicus Redivivus
This volume presents selected material associated with potters' workshops and pottery production from some 14 Early Iron Age contexts northwest of the Athenian Acropolis that range in date from the Protogeometric through Archaic periods. Located in the area that was to become the Agora of Classical Athens, these deposits establish that the place was used for industrial activity until it was formally transformed into the civic and commercial center of the city in the early 5th century B.C. The Early Iron Age potters' debris published in this volume sheds light on many aspects of pottery production, in prehistory as well as in the Classical and later periods. The material includes test-pieces, wasters and other production discards. There is also a reassessment of the evidence associated with the kiln underlying the later Tholos.
Mystery and Secrecy in the Nag Hammadi Collection and Other Ancient Literature: Ideas and Practices
Mystery and secrecy were central concepts in the ritual, rhetoric, and sociological stratification of antique Mediterranean religions. That the ultimate nature and workings of the divine were secret, and either could not or should not be revealed except as a mystery for the initiated, was widely accepted among Pagans, Jews, and then Christians, both Gnostic and otherwise. The similarities and differences in the language of mystery and secrecy across religious and cultural borders are thus crucial for understanding this important period of the history of religions. The present anthology aims to present and analyze a wide selection of sources elucidating this theme, reflecting the correspondingly wide scholarly interests of Professor Einar Thomassen in honor of his 60th birthday.
Polis
A definitive new history of the origins, evolution, and scope of the ancient Greek city-state The Greek polis, or city-state, was a resilient and adaptable political institution founded on the principles of citizenship, freedom, and equality. Emerging around 650 BCE and enduring to 350 CE, it offered a means for collaboration among fellow city-states and social bargaining between a community and its elites—but at what cost? Polis proposes a panoramic account of the ancient Greek city-state, its diverse forms, and enduring characteristics over the span of a millennium. In this landmark book, John Ma provides a new history of the polis, charting its spread and development into a common denom...
Dionysos in Classical Athens
Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation.
Religion in the Art of Archaic and Classical Greece
"An examination of the combined subjects of ancient Greek art and religion, dealing with festivals, performance, rites of passage, and the archaeology of death, to name a few examples, to explore the visual, material, and textual dimensions of ancient Greek religion"--
The Routledge Companion to Art and Disability
The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.
Not the Classical Ideal
A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129)
