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Written across the disciplines of law, literature, philosophy, and theology, Understanding Evil: An Interdisciplinary Approach represents wide-ranging approaches to and understandings of "evil" and "wickedness." Consisting of three sections - "Grappling with Evil", "Justice, Responsibility, and War" and "Blame, Murder, and Retributivism" -, all the essays are inter-disciplinary and multi-disciplinary in focus. Common themes emerge around the dominant narrative movements of grieving, loss, powerlessness, and retribution that have shaped so many political and cultural issues around the world since the fall of 2001. At the same time, the interdisciplinary nature of this collection, together with the divergent views of its chapters, reminds one that, in the end, an inquiry into "evil" and "wickedness" is at its best when it promotes intelligence and compassion, creativity and cooperation. The thirteen essays are originally presented at and then developed in light of dialogues held at the Third Global Conference on Perspectives on Evil and Human Wickedness, held in March 2002 in Prague.
In Western neo-liberal society, the human body is increasingly used as an »identity project« and »designable object«. Antje Velsinger investigates these specific roles of the body and develops choreographic strategies for becoming unfamiliar to the own self and play as two means for emancipating the body from the neo-liberal imperative of optimization and control. Theoretical and practical artistic perspectives are in constant dialogue throughout this study. It uses the choreographic field as a gray area between theory and practice to imagine, propose, and rehearse an alternative approach to the body.
Sex and Deviance is at once a raging critique of the values underpinning contemporary Western societies and a down-to-earth, pragmatic vision of the future. Guillaume Faye is meticulous in his analysis of the points at which Western societies have deviated from their golden mean, thus having triggered the tidal wave of social ills that they are facing and can expect to face. Faye identifies at the centre of this vortex the matter of sex and sexuality, and with this proffers an answer to the perennial question: What is the glue that holds societies together? Faye's penetrating assault on the specious thinking of ideologues is certain to rattle the convictions of those from across the spectrum. Much more than just a socio-political exposition, this book is an invitation to shed old ways of thinking and to begin new, hard-headed discussion over the most pertinent issues of this century.
The book explores the significance and dissemination of 'monstrous anatomies' in British and German culture by investigating how and why scientific and literary representations and descriptions of abnormal bodies were proposed in the late Enlightenment, during the Romantic and the Victorian Age. Since the investigations of late 18th-Century natural sciences, the fascination with monstrous anatomies has proved crucial to the study of human physiology and pathology. Featuring essays by a number of scholars focusing on a wide range of literary texts from the long nineteenth century and foregrounding the most important monstrous anatomies of the time, this book intends to offer a significant contribution to the study of the representations of the abnormal body in modern culture.
Cet ouvrage souligne le 40e anniversaire du Département de criminologie de l’Université d’Ottawa, fondé en 1968. On y relate l’histoire du département de ses origines à nos jours en mettant l’accent sur les débats théoriques qui ont influencé son approche critique et autoréflexive de la criminologie. Les articles qui le composent s’inscrivent dans cet ordre d’idée en mettant en question la perspective traditionnelle de la criminologie sur divers sujets, notamment les études policières, la santé mentale, la violence politique, le suicide et la prévention du crime. Droits et voix souligne le rôle primordial que joue l’Université d’Ottawa dans la redéfinition de...
Have you ever considered a modern society without money, barter or lies? A society without passing grades, failing school years, or university exams? A society where companies do not force you to an interview to hire you and to have a professional career with the pressure of a boss asking you for impossible performance, to reach goals and overcome a competitor? In the end, economics and education go together with politics. We say politicians do not keep their promises or talk without saying anything. Can we make them stop, finally? How could we reduce crime and violence and make our justice more effective for offenders and victims? The book addresses all these questions and more with the hope of fueling the debate to improve Western society. Do you want to participate too?
"This book is a collection of thirty-five texts from the first series of guest writers' essays, written specifically for The Funambulist weblog from June 2011 to November 2012. The idea of complementing Lambert's own texts on his blog with those written by others originated from the idea that having friends communicate with each other about their work could help develop mutual interests and provide a platform to address an audience. Thirty-nine authors of twenty-three nationalities were given the opportunity to write essays about a part of their work that might fit with the blog's editorial line. Overall, two 'families' of texts emerged, collected in two distinct parts in this volume.The fir...
This open access book discusses how citizenship is performed today, mostly through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory. It is a compendium that includes insights from artistic and activist experimentation. Each chapter investigates a different aspect of citizenship, such as identity and belonging, rights and responsibilities, bodies and materials, agencies and spaces, and limitations and interventions. It rewrites and rethinks the many-layered concept of citizenship by emphasising the performative tensions produced by various uses, occupations, interpretations and framings.