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Roman Slavery and Roman Material Culture
Replete now with its own scholarly traditions and controversies, Roman slavery as a field of study is no longer limited to the economic sphere, but is recognized as a fundamental social institution with multiple implications for Roman society and culture. The essays in this collection explore how material culture – namely, art, architecture, and inscriptions – can illustrate Roman attitudes towards the institution of slavery and towards slaves themselves in ways that significantly augment conventional textual accounts. Providing the first interdisciplinary approach to the study of Roman slavery, the volume brings together diverse specialists in history, art history, and archaeology. The contributors engage with questions concerning the slave trade, manumission, slave education, containment and movement, and the use of slaves in the Roman army.
The Roman Family in Italy
The Roman family is a key concept in the understanding of Roman society at all levels, from the aristocratic elite to slaves. The intertwined themes of status, sentiment, and space, with the use of many types of evidence, from the legal and literary to the iconographical and archaeological, enable the contributors to this book to set out new insights into the family life of the people of Roman Italy.
Roman Domestic Art and Early House Churches
Pompeii, Herculaneum, and Rome have yielded hundreds of wall paintings from domestic buildings. Greek myths and tragedies, especial by Euripides were visually represented. Balch presents an interdisciplinary study inquiring what earliest Jews and Christian in such houses might have been seeing as they read and interpreted scripture and performed core rituals, especially the Eucharist. This recent study of Roman domestic architecture suggests new perspectives on the social history of early Christianity.--Publisher.
The Brothel of Pompeii
Offers an in-depth exploration of the only assured brothel from the Greco-Roman world, illuminating the lives of both prostitutes and clients.
Killing Hercules
This book offers an entirely new reception history of the myth of Hercules and his wife/killer Deianira. The book poses, and attempts to answer, two important and related questions. First, why have artists across two millennia felt compelled to revisit this particular myth to express anxieties about violence at both a global and domestic level? Secondly, from the moment that Sophocles disrupted a myth about the definitive exemplar of masculinity and martial prowess and turned it into a story about domestic abuse, through to a 2014 production of Handel’s Hercules that was set in the context of the ‘war on terror’, the reception history of this myth has been one of discontinuity and conflict; how and why does each culture reinvent this narrative to address its own concerns and discontents, and how does each generation speak to, qualify or annihilate the certainties of its predecessors in order to understand, contain or exonerate the aggression with which their governors – of state and of the household – so often enforce their authority, and the violence to which their nations, and their homes, are perennially vulnerable?
Vampire's Bane
Michele can't believe her eyes. Only 48 hours ago she was a plain forgettable young woman and now the mirror is showing her to be as beautiful as a Goddess. Little does she realize that the change in her looks is the least of her concern for her body has many more surprises for her that she will have to learn to contend with. If vampires don't kill her she may just learn what is in store for her. However, even as she has to evade death at their hands she must also take care not to fall under the influence of the sirens or allow the anger of the werewolf to color her perception.
