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Little Wildheart
By turns quirky, startling, earthy, and hope-filled, Micheline Maylor’s poems slip effortlessly through topics ranging from what we give up as we age to regrets for love that has passed, the interplay between the animal world and human thought, and the myths we append to ourselves and others. An expansive, conversational voice underscores the poet’s technical mastery as her subjects turn from love to hope to fearlessness. Maylor asks readers to perceive how we inhabit our selves, how words construct us. Little Wildheart is rich with challenge and surprise. I check the box on the government forms: Caucasian. No box for colonized, for the 1/16th bred. Just the double helix of my DNA, my ab...
The Bad Wife
Micheline Maylor’s The Bad Wife is an intimate, first-hand account of how to ruin a marriage. This is a story of divorce, love, and what should have been, told in a brave and unflinching voice. Pulling the reader into a startling web of sensuality, guilt, resentment, and pleasure, this collection asks: what if you set off a bomb in your own house? What if you lose love and destroy everything you ever knew? These poems have a disarming immediacy, full of surprising imagery, dark humour, and the bold thoughts of a vibrant and flawed protagonist. Balancing a need for wildness and the space to dwell, The Bad Wife explores the taut confines of those vivid, earthly pleasures that we all know and sometimes can’t escape. I forgot the oath: Do no harm. -from “Yesterday, I Went to the Market”
The Sparrow
Featuring internationally acclaimed poetry from more than twenty books and chapbooks published over forty-five years, The Sparrow is a career-spanning selection that reveals how A. F. Moritz’s dynamic, ever-exploratory work is also a vast, singular poem. A. F. Moritz has been called “one of the best poets of his generation” by John Hollander and “a true poet” by Harold Bloom, who ranks him alongside Anne Carson. He is the recipient of numerous awards and honours throughout North America, including the Award in Literature of the American Academy of Arts and Letters, the Guggenheim Fellowship, Poetry magazine’s Beth Hokin Prize, the Ingram Merrill Fellowship, and the Griffin Poetry...
Shy
A collection of Canadian literature on the topic of shyness.
There Are Not Enough Sad Songs
There is beauty in the teacup like dresses requiring crinoline or beaded purses too small to carry anything but anger. — from “Inheritance” Marita Dachsel’s third poetry collection explores parenthood, love, and the grief of losing those both close and distant. In the tradition of Karen Solie and Suzanne Buffam, and with a touch of Canadian Gothic, Dachsel’s poetic skills unfold in a variety of brief and expansive forms. Authentic and controlled, full of complexity and disorder, her poems offer release despite their painful twists and topics. Readers across generations will find kinship in Dachsel’s grief-fuelled and vulnerable words.
In John Updike's Room
In "In John Updike's Room," one of Canada's major poets has gathered the best from his first eight books, and added a generous and richly varied selection of new and previously unpublished work. Christopher Wiseman demonstrates here, with great authority, a strong and impressive humanity, deep feeling, a total command of both free and formal verse, an ability to celebrate the seemingly ordinary and turn it into something unforgettable, even luminous, and a startlingly wide range of subject, tone and approach. The poems collected here from some forty years of writing move around Europe, Britain, Canada and the United States, and range from the comic to the satirical to the reflective to the e...
Full Depth
Raymond Knister was a rising Canadian literary star when he died mysteriously of drowning in 1932. In this debut collection Micheline Maylor considers the circumstances surrounding Knister's sudden death and deftly captures the voices of those caught up in the tragedy. Treading gently through innuendo and rumour, Maylor draws the reader into the story with finely etched portraits of the characters and their imagined emotions.
The Bad Wife
Micheline Maylor’s The Bad Wife is an intimate, first-hand account of how to ruin a marriage. This is a story of divorce, love, and what should have been, told in a brave and unflinching voice. Pulling the reader into a startling web of sensuality, guilt, resentment, and pleasure, this collection asks: what if you set off a bomb in your own house? What if you lose love and destroy everything you ever knew? These poems have a disarming immediacy, full of surprising imagery, dark humour, and the bold thoughts of a vibrant and flawed protagonist. Balancing a need for wildness and the space to dwell, The Bad Wife explores the taut confines of those vivid, earthly pleasures that we all know and sometimes can’t escape. I forgot the oath: Do no harm. -from "Yesterday, I Went to the Market"
This Wound Is a World
The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a...
Indie Rock
Indie Rock candidly focuses on a queer poet/musician’s life in Newfoundland and his personal struggles with addiction, OCD, and trauma. This intelligent and punchy collection is steeped in musicality and the geographies and cadences of Newfoundland. With an astute attention to form, rhythm, and aesthetics, Joe Bishop tells an honest and contemporary coming-of-age story about an artist alienated from, but fascinated by, the world he inhabits. Readers dealing with grief and living through recovery will find solace in these poems, as will those conflicted by faith, curious about the rigid confines of masculinity, or yearning to hear a voice like theirs in verse. At its core, Indie Rock is about keeping records, an artist’s compulsion to make art, and the power of love and imagination to overcome death.
