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Skin Acts
In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers—Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley—to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other—intersubjective, pre-discursive, and sensuous—forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.
Black Empire
In Black Empire, Michelle Ann Stephens examines the ideal of “transnational blackness” that emerged in the work of radical black intellectuals from the British West Indies in the early twentieth century. Focusing on the writings of Marcus Garvey, Claude McKay, and C. L. R. James, Stephens shows how these thinkers developed ideas of a worldwide racial movement and federated global black political community that transcended the boundaries of nation-states. Stephens highlights key geopolitical and historical events that gave rise to these writers’ intellectual investment in new modes of black political self-determination. She describes their engagement with the fate of African Americans w...
Contemporary Archipelagic Thinking
Contemporary Archipelagic Thinking takes as point of departure the insights of Antonio Benítez Rojo, Derek Walcott and Edouard Glissant on how to conceptualize the Caribbean as a space in which networks of islands are constitutive of a particular epistemology or way of thinking. This rich volumetakes questions that have explored the Caribbean and expands them to a global, Anthropocenic framework. This anthology explores the archipelagic as both a specific and a generalizable geo-historical and cultural formation, occurring across various planetary spaces including: the Mediterranean and Aegean Seas, the Caribbean basin, the Malay archipelago, Oceania, and the creole islands of the Indian Oc...
Archipelagic American Studies
Departing from conventional narratives of the United States and the Americas as fundamentally continental spaces, the contributors to Archipelagic American Studies theorize America as constituted by and accountable to an assemblage of interconnected islands, archipelagoes, shorelines, continents, seas, and oceans. They trace these planet-spanning archipelagic connections in essays on topics ranging from Indigenous sovereignty to the work of Édouard Glissant, from Philippine call centers to US militarization in the Caribbean, and from the great Pacific garbage patch to enduring overlaps between US imperialism and a colonial Mexican archipelago. Shaking loose the straitjacket of continental e...
Reconceptualizations of the African Diaspora
This special issue of Radical History Review aims to revitalize African diaspora studies by shifting current emphases within the field. The contributors rethink current understandings of African and diaspora as a dispersal of Africans from the African continent via the Atlantic slave trade and offer reconceptualizations of dominant paradigms, such as home, origins, migrations, politics, blackness, African, Africa, African-descended, and Americanness. The contributors draw on perspectives from political science, history, cultural studies, art history, anthropology, feminist theory, sexuality and queer studies, and Caribbean and African American studies. The collection addresses transnational ...
Left of the Color Line
This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on
African Americans in Conservative Movements
Providing an expansive view of the making and meaning of African American conservatism, this volume examines the phenomenon in four spheres: the political realm, the academic world, the black church, and grass-roots activism movements. In his analysis of their activities in these realms, Louis Prisock examines the challenges African American conservatives face as they operate within the context of (largely white) conservatism. At the same time that African American conservatives challenge the white conservative movement’s principle of “color blindness,” they are accused of being “racial mascots,” or “tokens” from those outside of it. Prisock unwinds the intricacies of black conservatives’ relationships to both the wider conservative movement and the everyday life experiences of black Americans, showing that they are as vulnerable to the “inescability of race” as any other individual in a racialized America.
Technofuturos
Technofuturos offers a critical and innovative exploration of the forms of representation found in Latina/o studies. The editors, Nancy Raquel Mirabal and Agustin La--Montes, challenge conventional notions of Latina/o identities, histories, and cultures by historicizing and differentiating the multiple discourses of Latinidad. The essays examine the temporality and spatiality of socio-historical processes, the multiple and varied constellations of power, and the complicated geographies of desire. By analyzing the discursive, performative, and aesthetic dimensions of knowledge, this book contests and reconstructs Latina/o studies. Technofuturos is a captivating and sophisticated read that will appeal to scholars of Latina/o studies and those interested in postcolonial critique.
Record, Map and Capture in Textile Art
A guide to the increasingly popular trend of transforming data into beautiful textile art. This stylish and fascinating book from up-and-coming textile art star Jordan Cunliffe shows how raw data, maps and personal experience can be distilled into textile art, producing mesmerising works with deep meaning, whether obvious or hidden, and concentrating on the smaller, quieter moments that make up our lives. Jordan explores the use of stitched data to tell stories, pinpoint special places on maps, convey secret messages, and record personal detail, for example daily walks or nightly sleep patterns. Her finished work is beautifully precise, including a long strip of fabric containing a stitch fo...
