Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Miguel Barnet
Miguel Barnet was born on January 27, 1940 in Havana, Cuba. Though he underwent his early education in the U.S., Barnet maintained a high degree of interest and awareness of Cuban culture. In fact, in his early years he was a regular contributor of poetry and other writings to such Cuban publications as Lunes de Revolución and Hoy. This literary background can be seen as a precursor to the imaginative element Barnet introduced to anthropological writing. In college, Barnet went to study anthropology and sociology at the University of Havana. Here, against the backdrop of the Cuban Revolution, he developed a strong relationship with Cuban anthropologist Fernando Ortíz, who would introduce Barnet to an ethnographic model centered on indigenous religion, language and the oral tradition. In rural areas of the island, religious practices of African and Taino influence such as santería persevered within the Catholic framework. Ortíz's view of ethnographic research focusing primarily on indigenous culture mirrored the Cuban political ideology of the time in its rejection of European modes of learning, and emphasis on the socially and economically marginalized class.
Biography of a Runaway Slave
In this remarkable testimony, Cuban novelist and anthropologist Miguel Barnet presents the narrative of 105-year-old Esteban Montejo, who lived as a slave, as fugitive in the wilderness, and as a soldier in the Cuban War of Independence. Honest, blunt, compassionate, shrewd, and engaging, his voice provides an extraordinary insight into the African culture that took root in the Caribbean.
Voices from the Fuente Viva
Many twentieth-century Spanish American writers sought to give voice to their countries' native inhabitants. Drawing upon anthropology and literary theory, this book explores the representation of orality by major Spanish American anthropologist-writers: Lydia Cabrera, Jose Maria Arguedas, and Miguel Barnet. These writers played a quintessential role of the Spanish American writer from colonial times to the present: they inscribed the mythical world of a vanishing Other by creating a poetic effect of orality in their ethnographies and narratives. This book argues that supposed differences between oral and written culture are rhetorical devices in the elaboration of literature, specifically modern fiction in Spanish America. Fictionalization of the oral requires adherence to the theory of a great divide between orality and literacy. Because the texts considered here are predicated on the ideality of speech, a contradiction underlies their shared desire to salvage oral tradition. This book explores how anthropologist-writers have addressed this compelling dilemma in their anthropological and narrative writings. at Tufts University.
Memory
These essays survey the histories, the theories and the fault lines that compose the field of memory research. Drawing on the advances in the sciences and in the humanities, they address the question of how memory works, highlighting transactions between the interiority of subjective memory and the larger fields of public or collective memory.
Rachel's Song
A novel about pre-Castro Cuba, told through the story of a famous cabaret dancer.
Transgression and Conformity
Defining the political and aesthetic tensions that have shaped Cuban culture for over forty years, Linda Howe explores the historical and political constraints imposed upon Cuban artists and intellectuals during and after the Revolution. Focusing on the work of Afro-Cuban writers Nancy Morejón and prominent novelist Miguel Barnet, Howe exposes the complex relationship between Afro-Cuban intellectuals and government authorities as well as the racial issues present in Cuban culture.
The Anthropological Imagination in Latin American Literature
Emery develops the concept of an "anthropological imagination" - that is, the conjunction of anthropology and fiction in twentieth-century Latin American literature. Emery also gives consideration to documentary and testimonial writings.
Through Their Eyes
Even though Elena Poniatowska is considered to be one of the most important female writers in present-day Mexico, few book-length studies have been dedicated to her work. This book focuses on the writings of Elena Poniatowska and also on the work of her former students Silvia Molina and Rosa Nissán. A brief history of the literary workshop that links the three together is also provided. Although the three writers are quite different in several respects, they share one common element that is central to their writings: the depiction of marginal members of society. With reference to Subaltern Studies this study analyses how the subaltern is represented in the works of each writer.
The Whole Island
Cuba's cultural influence throughout the Western Hemisphere, and especially in the United States, has been disproportionally large for so small a country. This landmark volume is the first comprehensive overview of poetry written over the past sixty years. Presented in a beautiful Spanish-English en face edition, The Whole Island makes available the astonishing achievement of a wide range of Cuban poets, including such well-known figures as Nicolás Guillén, José Lezama Lima, and Nancy Morejón, but also poets widely read in Spanish who remain almost unknown to the English-speaking world—among them Fina García Marruz, José Kozer, Raúl Hernández Novás, and Ángel Escobar—and poets ...
Cuban Studies 23
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
