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Word Mingas
Word Mingas is an English-language translation by Paul M. Worley and Melissa Birkhofer of the award-winning book Mingas de la palabra written by Miguel Rocha Vivas (Casa de las Americas, 2016). It is an encompassing study of oralitures--multilayered cultural knowledge shared through the power of orality--and written literatures by authors from Colombia and other regions in the hemisphere who self-identify as Indigenous. In consequential dialogue with the most recent theories of decoloniality and interculturality, the book weaves and compares two threads of literary critique Rocha Vivas names as oralitegraphies and mirrored visions. The study focuses on texts produced from the early 1990s to the present, and offers productive avenues to discuss, understand, and foster dialogue with the wide array of symbolic-literary systems of the original peoples. Rocha Vivas offers a valuable contribution to the much-needed dialogue on the basic rights of self-representation, self-determination, and the coexistence of multiple systems of representation and identity.
Abiayalan Pluriverses
Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.
The Maya Art of Speaking Writing
Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages. Based on nearly a decade of fieldwork in the Guatemalan highlands, Tiffany D. Creegan Miller discusses images that are sonic, pictorial, gestural, and alphabetic. She reveals various forms of creativity and agency that are woven through a rich media landscape in Indigenous Guatemala, as well as Maya diasporas in Mexico and the United States. Miller discusses how t...
Revealing Rebellion in Abiayala
From the rise of the Pan-Maya Movement in Guatemala and the Zapatista uprising in Mexico to the Water and Gas Wars in Bolivia and the Idle No More movement in Canada, the turn of the twenty-first century has witnessed a notable surge in Indigenous political action as well as an outpouring of texts produced by Native authors and poets. Throughout the Americas—Abiayala, or the “Land of Plenitude and Maturity” in the Guna language of Panama—Indigenous people are raising their voices and reclaiming the right to represent themselves in politics as well as in creative writing. Revealing Rebellion in Abiayala explores the intersections between Indigenous literature and social movements over...
Modernity and Colombian Identity in the Music of Carlos Vives y La Provincia
By the late 1980s and early 1990s, a great number of TV shows and music acts blossomed in Colombia, all of which resorted to regional identity as the narrative core for a renewed idea of national identity. Among them was “Clasicos de la provincial,” an album by Colombian singer Carlos Vives and his band La Provincia (1993), which marked the beginning of a successful career that has spanned nearly three decades. Vives´s work not only earned much deserved recognition in the musical industry from the beginning, but most importantly, has come to be renowned as a landmark in the cultural history of Colombia. This book is the first in-depth analysis focused on the creation and production proc...
The Resilient Apocalypse
Portraits of good battling evil in the geography of hell come in many forms in the Hispanic World. Apocalyptic nightmares, frightful images of chaos and death are inclusive and interrelated, yet simultaneously project an exceptional quality ("never seen or experienced before," "the mother of all battles," "I am the only one who can fix it"). This investigation explores how narrative logic may challenge unified notions of finalities when images remain unfulfilled in a proscribed End. By redeploying transglobal character and narrative potential, the Apocalypse suggests bewildering complexities as it trains its lens on New Beginnings. Here analysis explores resilient formulas for combating the ...
World Literature, Cosmopolitanism, Globality
From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.
Caracoleando Among Worlds
The contemporary literary movement of Maya writers of Chiapas and the Zapatista Army of National Liberation (or EZLN) insurgency are intricately intertwined. Even as each has forged its own path, they are bound by a shared commitment to rescuing, reclaiming, and recentering Maya worldviews. This shared vision emerges in Caracoleando Among Worlds, which provides an in-depth analysis of poetry, short stories, and one of the first novels written by a Maya Tsotsil writer of Chiapas alongside close readings of the EZLN’s six declarations of the Lacandon Jungle. Themes echoing ancestral connections, informing epistemologies, and sustaining cultural and spiritual practices emerge and weave the texts to each other. The work brings into the conversation literature that has been translated into English for the first time and places Maya writers of Chiapas in discussion with other Native American and Indigenous scholars. This work shows how literature, culture, and activism intertwine, and offers a compelling narrative that transcends boundaries and fosters a deeper understanding of Maya identities and resilience.
Rewriting the Orient
In this ambitious volume, Yunfei Bai delves into the creative adaptations of classical Sanskrit, Chinese, and Tibetan literary texts by four renowned nineteenth- and early twentieth-century authors in France and Argentina: Theophile Gautier, Stephane Mallarme, Victor Segalen, and Jorge Luis Borges. Without any knowledge of the source languages, the authors crafted their own French and Spanish retellings based on received translations of these Asian works. Rewriting the Orient not only explores the so far untapped translation-rewriting continuum to trace the pivotal role of Orientalism in the formation of a singular corpus of world literature that goes beyond the Anglophone canon, but also sheds light on a wide range of innovative discursive strategies that readily challenge traditional notions of cultural appropriation.
Feeling the Gaze
Feeling the Gaze explores the visual elements in eight contemporary Argentine and Chilean theater performances. Gail A. Bulman shows how staged images can awaken spectators' emotions to activate their intellect, provoking nuanced and deep contemplation of social, historical, and political themes. Ranging from simple props, costumes, body movements and spatial constructions to integrated media and digital images, the aesthetic components in these pieces engage to forge multifaceted storytelling, stimulate the public's relation to memory, and create affective bonds that help build individual and collective social consciousness. Recent innovations in Southern Cone theatre aesthetics have been s...
