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Describes the brutal 1933 killing of Michael Malloy, a New York City drunk, who was poisoned, run over, and left for dead in the winter weather by a murderous group of conspirators--including a psychotic cabbie, a syphilitic speakeasy owner, and a crooked undertaker--who had taken out an insurance policy on his life.
He had the face of a true villain, chiseled to perfection. Director Sergio Leone, best-known for "The Man With No Name" spaghetti western trilogy, once described Van Cleef as having the face of a hawk; actor Eli Wallach called it "wonderfully alive" and full of wickedness. As an actor, Van Cleef portrayed some of the best movie villains of all time-Angel Eyes in The Good, The Bad, and The Ugly, and Frank Talby in Day of Anger. Although more than twenty years have passed since his premature death in 1989, Lee Van Cleef remains a cinematic icon for millions of film fans worldwide, and his legacy as the "Best of the Bad" is set in granite. Lee Van Cleef: Best of the Bad explores the life and career of this great actor, a man with unbounded talent and a heart of finely-polished gold. Through interviews and numerous sources, Best of the Bad reveals the real Lee Van Cleef and discusses his roles in For A Few Dollars More, The Good, The Bad, and The Ugly, and Day of Anger, along with chapters on mythic archetypes and historical gunfighters and bounty hunters. Also included is a foreword by Mike Malloy, author of Lee Van Cleef: A Biographical, Film, and Television Reference.
Comprehensive, yet intelligible treatment of the basic rules, principles, statutes, and issues governing the law of bank regulation. Examines the rapid pace of development in depository institution regulation, and how federal statutes governing banking have been subject to constant amendment in recent years. Discusses the growing overlap in competition among depository institutions, insurance companies, and securities firms that has further complicated regulatory policy. Detailed sections discuss: the regulated environment of banking, entry rules, branching, control transactions, transactional rules, holding company activities, securities regulation, resolution of institution failures, international banking, and bank regulation and social policy.
In Brink of Reality, Peter Steven examines the convergence of video-art and social-issue documentary, from the 1940s to the present. No other book has explored contemporary Canadian documentary so thoroughly, or provided as broad a view of the state of the art in the 1990s.
Cult film star Lee Van Cleef began his movie career in Hollywood, appearing as evil-eyed villains in such 1950s and '60s Westerns as High Noon, Gunfight at the O.K. Corral and How the West was Won. But Van Cleef didn't achieve full-blown fame until he began starring in Spaghetti Westerns overseas. He played opposite Clint Eastwood in The Good, the Bad and the Ugly and For a Few Dollars More before becoming a tough-guy star in his own right. By the 1980s, Van Cleef was aging and in weakened health, but he still managed to give thrilling performances in such films as Escape from New York and in a weekly martial-arts TV series, The Master. Film-by-film and show-by-show, this work fully details Van Cleef's career. Each movie entry includes cast and credits, studio, running times, year of release, a plot synopsis and a brief overview of Van Cleef's role. The background of the ABC series The Master is then given, followed by an episode guide that provides airdate, cast and credits, a synopsis and a comment on the episode. Comprehensive information on Van Cleef's other appearances in television concludes the work.
Brother and sister, Sean and Colleen Callaghan share a relationship of love, loyalty, and perseverance. Their early childhood in a dysfunctional orphanage run by sisters focused on corporal punishment created a bond that carries them through a hard scrapple existence. Living through tough times in the Big Apple while concurrently 20th century history plays out, Sean and Colleen are challenged at every step. Sean grows from petty thief to booze-running during Prohibition, to waterfront dock boss. Colleen starts out running a speakeasy that transitions into an upscale restaurant catering to the well-heeled New York crowd, politicians, and Sean’s less-than-legit pals. The Callaghans’ saga spans pre-WWI to post WWII and is a true New York City story with colorful characters from waterfront toughs, bootleggers, slick gangsters, Nazi spies, and seductive women. When Sean is accused of murder and found guilty, the bond shared by the siblings is brought to its greatest test. The Callaghans are so fiercely loyal to each other their story will break your heart and keep you turning pages.
The word "Trump" in the title serves as a nexus for ideas, associations and thoughts, some of a purely personal nature, thus giving rise to a medley of forms, essays, dialogues that hang together in some way.
This anthology of to all appearances light and flippant verse with a sketch here and there has a topical flavor, as the title indicates. It may have a few serious things to say as well.
Crime Does Not Pay is an American comic book series published between 1942 and 1955 by Lev Gleason Publications. Edited and chiefly written by Charles Biro, the title launched the crime comics genre and was the first "true crime" comic book series.