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Boundaries of Utopia - Imagining Communism from Plato to Stalin
The idea that socialism could be established in a single country was adopted as an official doctrine by the Soviet Union in 1925, Stalin and Bukharin being the main formulators of the policy. Before this there had been much debate as to whether the only way to secure socialism would be as a result of socialist revolution on a much broader scale, across all Europe or wider still. This book traces the development of ideas about communist utopia from Plato onwards, paying particular attention to debates about universalist ideology versus the possibility for "socialism in one country". The book argues that although the prevailing view is that "socialism in one country" was a sharp break from a long tradition that tended to view socialism as only possible if universal, in fact the territorially confined socialist project had long roots, including in the writings of Marx and Engels.
Revolution Rekindled
Towards the end of the Khrushchev era, a major Soviet initiative was launched to rekindle enthusiasm for the revolution, giving rise to over 150 biographies and historical novels, authored by prominent dissidents, leading historians, and popular historical novelists. What new meanings did revolution take on as it was reimagined by these writers?
Serfdom, Society, and the Arts in Imperial Russia
Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society’s value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites’s richly detailed book offers new perspectives on the origins of Russia’s nineteenth-century artistic prowess.
Formulaic language
The notion of formulaicity has received increasing attention in disciplines and areas as diverse as linguistics, literary studies, art theory and art history. In recent years, linguistic studies of formulaicity have been flourishing and the very notion of formulaicity has been approached from various methodological and theoretical perspectives and with various purposes in mind. The linguistic approach to formulaicity is still in a state of rapid development and the objective of the current volume is to present the current explorations in the field. Papers collected in the volume make numerous suggestions for further development of the field and they are arranged into three complementary part...
Advances in Model and Data Engineering in the Digitalization Era
This volume constitutes short papers and DETECT 2022 workshop papers, presented during the 11th International Conference on Model and Data Engineering, MEDI 2022, held in Cairo, Egypt, in November 2022. The 11 short papers presented were selected from the total of 65 submissions. This volume also contains the 4 accepted papers from the DETECT 2022 workshop, held at MEDI 2022. The volume focuses on advances in data management and modelling, including topics such as data models, data processing, database theory, database systems technology, and advanced database applications.
Soviet Life
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Russian Writers on Translation
Since the early eighteenth century, following Peter the Great’s policy of forced westernization, translation in Russia has been a very visible and much-discussed practice. Generally perceived as an important service to the state and the nation, translation was also viewed as a high art, leading many Russian poets and writers to engage in literary translation in a serious and sustained manner. As a result, translations were generally regarded as an integral part of an author’s oeuvre and of Russian literature as a whole. This volume brings together Russian writings on translation from the mid-18th century until today and presents them in chronological order, providing valuable insights in...
The Bentham Brothers and Russia
The jurist and philosopher, Jeremy Bentham, and his lesser-known brother, Samuel, equally talented but as a naval architect, engineer and inventor, had a long love affair with Russia. Jeremy hoped to assist Empress Catherine II with her legislative projects. Samuel went to St Petersburg to seek his fortune in 1780 and came back with the rank of Brigadier-General and the idea, famously publicised by Jeremy, of the Inspection-House or Panopticon. The Bentham Brothers and Russia chronicles the brothers’ later involvement with the Russian Empire, when Jeremy focused his legislative hopes on Catherine’s grandson Emperor Alexander I (ruled 1801-25) and Samuel found a unique opportunity in 1806...
The Writer in Petrograd and the House of Arts
Founded by Maksim Gorky and Kornei Chukovsky in 1919 and disbanded in 1922, the Petrograd House of Arts occupied a crucial moment in Russia's cultural history. By chronicling the rise and fall of this literary landmark, this book conveys in greater depth and detail than ever before a significant but little studied period in Soviet literature. Poised between Russian culture's past and her Soviet future, between pre- and post-Revolutionary generations, this once lavish private home on the Nevsky Prospekt housed as many as fifty-six poets, novelists, critics, and artists at one time, during a period of great social and political turbulence. And as such, Hickey contends, the House of Arts served...
Literary Translation in Russia
In this rich historical study, Maurice Friedberg recounts the impact of translation on the Russian literary process. In tracing the explosion of literary translation in nineteenth-century Russia, Friedberg determines that it introduced new issues of cultural, aesthetic, and political values. Beginning with Pushkin in the early nineteenth century, Friedberg traces the history of translation throughout the lives of Dostoevsky, Tolstoy, and, more recently, Pasternak. His analysis includes two translators who became Russia's leading literary figures: Zhukovsky, whose renditions of German poetry became famous, and Vvedensky, who introduced Charles Dickens to Russia. In the twentieth century, Frie...
