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The Myth of A.S. Pushkin in Russia's Silver Age
Mikhail Osipovich Gershenzon, philosopher, journalist, and scholar, was one of the most original and eccentric Pushkinists of Russia's Silver Age. His eclectic critical judgment was highly esteemed by his generation's best poets and critics, and many of his idiosyncratic interpretations of Pushkin have become canonical. Brian Horowitz's detailed study illuminates both Pushkin's position as a cultural icon of the Silver Age and Gershenzon's role in establishing and challenging that reputation. As Gershenzon's work mirrors both significant and hidden aspects of the Pushkin scholarship of his day, his articulation of Pushkin as the symbolic key to Russian culture reflects the Silver Age nostalgia for and identification with the Golden Age in which Pushkin wrote. This first book-length study of this important figure provides a vivid sense of the inner workings of Russian literary life in the early part of this century.
Correspondence Across a Room
The twelve letters that constitute this volume were exchanged by two of Russia's leading intellectuals, who, in the summer of 1920, weakened by the privations of the Civil War, were admitted to a municipal rest home outside Moscow. At the Sanatorium for Scientific and Literary Workers, they found themselves installed in opposite corners of the same room. Day-long conversations having drawn them away from their literary tasks, the two then decided to converse in writing. Correspondence, the result, examines the condition and future of Western culture-whose values, according to the historian Gershenzon, have deteriorated into a deadly burden upon mankind, into mankind's ultimate prison. For the poet Ivanov, it is not the disavowal of a cultural heritage but the struggle to recover man's own unity with God that alone guarantees his true, his spiritual freedom.
MUDROST' PUSHKINA
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