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Wooden Architecture of Kerala
This volume explores the socio-cultural and the tectonic aspects of Kerala's wooden architecture, which is deeply rooted in religious and secular customs and shaped by geo-climatic forces. The author's multi-disciplinary approach links the various ethnic groups residing in Kerala, and the mutual adoption and adaptation of construction systems within migrant groups. This volume attempts to fill the research gap concerning vernacular styles, a need made more urgent by the fact that the traditional ways of building may get replaced by the modern much faster than we can imagine. AUTHOR: Miki Desai is a recipient of the Fulbright Fellowship, 2000, and the Graham Grant, 2005. He is the author of Architekture in Gujurat, Indien: Nauernhof, Stadthaus, Palast, and the co-author of Architecture and Independence: The Search for Identity: India 1880 to 1980. He received the Earthwatch fellowship in 1996. He has taught and lectured at many universities in Europe and the USA. 211 photographs, 53 drawings, 95 plans, 2 maps
Architecture and Independence
This book examines Indian architecture in the context of the fight for and attainment of Independence. It traces the patterns of architecture since the founding of the Indian National Congress in the 1880s, exploring the impact of political ideology on the built environment. The authors provide the antecedents as well an idea of the impact of architectural work in newly independent India on subsequent work.
The Bungalow in Twentieth-Century India
The primary era of this study - the twentieth century - symbolizes the peak of the colonial rule and its total decline, as well as the rise of the new nation state of India. The processes that have been labeled 'westernization' and 'modernization' radically changed middle-class Indian life during the century. This book describes and explains the various technological, political and social developments that shaped one building type - the bungalow - contemporaneous to the development of modern Indian history during the period of British rule and its subsequent aftermath. Drawing on their own physical and photographic documentation, and building on previous work by Anthony King and the Desais, the authors show the evolution of the bungalow's architecture from a one storey building with a verandah to the assortment of house-forms and their regional variants that are derived from the bungalow. Moreover, the study correlates changes in society with architectural consequences in the plans and aesthetics of the bungalow. It also examines more generally what it meant to be modern in Indian society as the twentieth century evolved.
A Concise History of Modern Architecture in India
In Lucid Language That Speaks To Laymen And Architects Alike, This Book Provides A History Of Twentieth Century Architecture In India. It Examines In Detail The Early Influences On Indian Architecture Both Of Movements Like The Bauhaus As Well As Prominent Individuals Like Habib Rehman, Jawaharlal Nehru, Frank Lloyd Wright And Le Corbusier.
How Secular Is Art?
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
The City in South Asia
The macro-region of South Asia – including Bangladesh, India, Nepal, Pakistan, and Sri Lanka – today supports one of the world’s greatest concentrations of cities, but as James Heitzman argues in the first comprehensive treatment of urban South Asia, this has been the case for at least 5,000 years. With a strong emphasis on the production of space and periodic excursions into literature, art and architecture, religion and public culture, this interdisciplinary study is a valuable text for students and scholars interested in comparative history, urban studies, and the social sciences.
Art Deco
"The goal of the logo is to alert readers to the threat that massive unauthorized photocopying poses to the future of the written work. [...] The Deco idiom col- onized broadcast facility, from the world's metropolis in London to the North American prairie, and instrument, the radio cabinet, in the houses of the prosperous to the relatively poor. [...] This book would not have been possible without the vision and support of Luc Noppen and the Institut du patrimoine of the Université du Québec à Montréal and the Society for the Study of Architecture in Canada, which founded the Prix Phyllis-Lambert. [...] In addition to Luc and the Institut du patrimoine, I would like to acknowledge the f...
Gandhinagar
The culmination of Ravi Kalia's trilogy on the formation of capital cities in postcolonial India, Gandhinagar joins the historian's other two volumes, on Chandigarh and Bhubaneswar, in tracing India's efforts to establish its twentieth-century architectural identity. In following the development of these cities, Kalia recounts India's progression through precolonial, British, modern, and postmodern theory and practice, particularly the architectural ideology propagated by Western a rchitects Le Corbusier and Louis Kahn. Kalia explains that Gandhinagar, the capital of Gujarat in western India, became a battleground for the competing ideals that had surfaced during the building of Chandigarh a...
Delhi Metropolitan
My understanding of this ferocious, restless, relentless metropolis is that each of us who lives in this city carries a unique, if virtual, Delhi inside our heads.' Independence, four million refugees from Pakistan and the overwhelming presence of visible and invisible power that flows from New Delhi being the capital have transformed it from the unruffled imperial town it once was to the fearsome metropolis it is today. And yet, says Ranjana Sengupta, this largely unloved city deserves to be loved. Delhi is home to the most diverse population of any city in the country. The unceasing influx of migrants has unleashed new urban architectures of opulence and deprivation. Different groups have ...
Third World Modernism
This set of essays brings together studies that challenge interpretations of the development of modernist architecture in Third World countries during the Cold War. The topics look at modernism’s part in the transnational development of building technologies and the construction of national and cultural identity. Architectural modernism is far more than another instance of Western expansionist aspirations; it has been developed in cross-cultural spaces and variously localized into nation-building programs and social welfare projects. The first volume to address countries right across the developing world, this book has a key place in the historiography of modern architecture, dealing with non-Western traditions.
