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Women Fight, Women Write
Today, the "fight to write"—the struggle to become the legitimate chronicler of one’s own story—is being waged and won by women across mediums and borders. But such battles of authorship extend well beyond a single cultural moment. In her gripping study of unsung female narratives of the Algerian War, Mildred Mortimer excavates and explores the role of women’s individual and collective memory in recording events of the violent anticolonial conflict. Presenting close readings of published works spanning five decades—from Assia Djebar’s 1962 Children of the New World to Zohra Drif’s 2014 Inside the Battle of Algiers: Memoir of a Woman Freedom Fighter— Women Fight, Women Write t...
Journeys Through the French African Novel
Mildred Mortimer questions the preeminence of outer and inner voyages in the francophone African novel. Rooted in both African oral tradition and the European novel, the journey motif not only reflects cultural blending but also African experiences of migration, exploration, and conquest.
Maghrebian Mosaic
When Albert Memmi published the first anthology of francophone Maghrebian literature, he expressed his unhappy belief that francophone writing would quickly be eclipsed by Arabic. To the contrary, this volume demonstrates that the francophone writing of North Africa remains vibrant and prolific.
Modern Black Writers
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Writing from the Hearth
Writing from the Hearth probes the relationship of gender to space in close readings of texts of Francophone women writers of Africa: Aoua KZita, Mariama B%, Calixthe Beyala, and Aminata Sow Fall, and the Caribbean: Marie Chauvet, Simon Schwarz-Bart, Maryse CondZ, and Edwidge Danticat. It explores the hypothesis that the female protagonist moves toward empowerment by appropriating public space and transforming domestic space into alternative space.
The Tongue-Tied Imagination
Should a writer work in a former colonial language or in a vernacular? The language question was one of the great, intractable problems that haunted postcolonial literatures in the twentieth century, but it has since acquired a reputation as a dead end for narrow nationalism. This book returns to the language question from a fresh perspective. Instead of asking whether language matters, The Tongue-Tied Imagination explores how the language question itself came to matter. Focusing on the case of Senegal, Warner investigates the intersection of French and Wolof. Drawing on extensive archival research and an under-studied corpus of novels, poetry, and films in both languages, as well as educati...
At the Crossroads
SHORTLISTED FOR THE ASAUK FAGE & OLIVER PRIZE 2020 'Honorable Mention' for the ALA FIRST BOOK AWARD - SCHOLARSHIP 2021 A path-breaking contribution to the critical literature on African travel writing.
African Literature
African literature, like the continent itself is enormous and diverse. East Africa's literature is different from West Africa's which is quite different from South Africa's which has different influences on it than North Africa's. Africa's literature is based on a widespread heritage of oral literature, some of which has now been recorded. Arabic influence can be detected as well as European, especially French and English. Legends, myths, proverbs, riddles and folktales form the mother load of the oral literature. This book presents an overview of African literature as well as a comprehensive bibliography, primarily of English language sources. Accessed by subject, author and title indexes.
