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The Trauma of Colonial Condition: in Nervous Conditions and Kiss of the Fur Queen
This study depicts the traumatic condition of the formerly colonised indigenous people of Africa and Canada. The postcolonial trauma novels Tomson Highway’s Kiss of the Fur Queen (1998) and Tsitsi Dangarembga’s Nervous Conditions (1988) are first-hand accounts of colonial experience under the governance of the British Empire of the second half of the twentieth century. The semi-autobiographical novels bring up the voices of the formerly silenced natives and are pioneering accounts of the native perception of Western intrusion. The narratives portray the upsetting experiences of the era of colonisation and explore the insidious consequences of living in the midst of historical change. The...
Trauma Novels in Postcolonial Literatures: Tsitsi Dangarembga, Nervous Conditions, and Tomson Highway, Kiss of the Fur Queen
Inhaltsangabe:Introduction: This study will depict the traumatic condition of the formerly colonised indigenous peoples of Africa and Canada. The postcolonial trauma novels, Tomson Highway s Kiss of the Fur Queen (1998) and Tsitsi Dangarembga s Nervous Conditions (1988), are first-hand accounts of colonial experience under the governance of the British Empire of the second half of the twentieth century. The semi-autobiographical novels bring up the voices of the formerly silenced natives and are pioneering accounts of the native perception of Western intrusion. The narratives portray the upsetting experiences of the era of colonisation and explore the insidious consequences of living in the ...
Religion and the Formation of Early Modern Identities in The Island Princess and The Jew of Malta: The Significance of Christianity in the Early Modern Period
This study depicts the significance of Christian and non-Christian relations in the formation of early modern identities in John Fletcher’s The Island Princess and Christopher Marlowe’s The Jew of Malta. Christian and non-Christian relations are explicitly demonstrated in the Elizabethan and Jacobean plays due to their incorporated issue of religion. The plays are set in the early modern period, during which many changes occur. The significance of Christian and non-Christian relations increase as the age of colonisation advances, and more territorial expansion and long-distance trade are undertaken. The encounter with different cultures and faiths awakes European consciousness to the exi...
Humor, Resistance, and Jewish Cultural Persistence in the Book of Revelation
Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.
Scars and Wounds
This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of ‘scar-formation’ rather than event-centred ‘wound-creation’.
Nomenclatural Poetization and Globalization
This prolific collection of essays, with contributions from scholars from across several disciplines, on the practice and implications of naming - Nomenclatural Poetization and Globalization - explores diverse concerns in onomastics, such as cultural and ethnic implications as well as individual identity formation processes in the age of Globalization and extends these to a variety of contemporary theories of appreciation and internationalization.
Human remains in society
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Human remains and society presents a groundbreaking account of the treatment and commemoration of dead bodies resulting from incidents of genocide and mass violence. Whether reburied, concealed, stored, abandoned or publically displayed, human remains raise a vast number of questions regarding social, legal and ethical uses by communities, public institutions and civil society organisations. Through a diverse range of international case studies, across multiple continents, this highly innovative book explores the effect of dead bodies or body parts, either desired or unintended, on various political, cultural or religious practices. How, for instance, do issues of confiscation, concealment or the destruction of human remains in mass crime impact on transitional processes, commemoration or judicial procedures? Multidisciplinary in scope, Human remains and society will appeal to readers interested in the crucial phase of post-conflict reconciliation. This includes students and researchers of history, anthropology, sociology, archaeology, law, politics and modern warfare.
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Trauma Cinema
'Trauma Cinema' focuses on a new breed of documentary films that adopt catastrophe as their subject matter & trauma as their aesthetic. Walker uses incest & the Holocaust as a double thematic focus & fiction films as a point of comparison.
The Horrors of Trauma in Cinema
This volume explores the multifaceted depiction and staging of historical and social traumata as the result of extreme violence within national contexts. It focuses on Israeli-Palestinian, German and (US) American film, and reaches out to cinematic traditions from other countries like France, Great Britain and the former USSR. International and interdisciplinary scholars analyze both mainstream and avant-garde movies and documentaries premiering from the 1960s to the present. From transnational and cross-genre perspectives, they query the modes of representation – regarding narration, dramaturgy, aesthetics, mise-en-scène, iconology, lighting, cinematography, editing and sound – held by...
