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The Art of Libation in Classical Athens
This handsome volume presents an innovative look at the imagery of libations, the most commonly depicted ritual in ancient Greece, and how it engaged viewers in religious performance. In a libation, liquid--water, wine, milk, oil, or honey--was poured from a vessel such as a jug or a bowl onto the ground, an altar, or another surface. Libations were made on occasions like banquets, sacrifices, oath-taking, departures to war, and visitations to tombs, and their iconography provides essential insight into religious and social life in 5th-century BC Athens. Scenes depicting the ritual often involved beholders directly--a statue's gaze might establish the onlooker as a fellow participant, or painted vases could draw parallels between human practices and acts of gods or heroes. Beautifully illustrated with a broad range of examples, including the Caryatids at the Acropolis, the Parthenon Frieze, Attic red-figure pottery, and funerary sculpture, this important book demonstrates the power of Greek art to transcend the boundaries between visual representation and everyday experience.
Aniconism in Greek Antiquity
Gaifman explores the phenomenon aniconism - the adoption of aniconic monuments, objects such as pillars and poles, to designate the presence of the divine. Shifting our attention from the well-known territories of Greek anthropomorphism and naturalism, it casts new light on the realm of non-figural objects in Greek religious art.
The Variety of Local Religious Life in the Near East
This interdisciplinary collection of articles brings out the variety of local and regional patterns of worship in the Near East, and in this manner contributes to our quest for understanding the polytheistic cults of the region as a whole.
Exploring Aniconism
This book explores the phenomenon of aniconism—the denotation of the presence of gods, saints, or spiritual forces using non-figural visual markers that do not resemble these supranatural entities. The contributors show how various types of aniconism differ in how they mediate divine presence and relate to other modes of representation. Aniconism is rarely absolute; each aniconic form needs to be considered within a spectrum of visual modes ranging from the abstract to the anthropomorphic. The chapters examine aniconism in paleolithic cultures; in ancient Egypt, Israel, and Greece; in early Christianity and Islam; in medieval and contemporary Hinduism; and in 17th–19th century Scottish-G...
Personal Experience and Materiality in Greek Religion
Employing frameworks of lived religion and materiality, this book provides the first full-length study of personal religious experience in the Greek Archaic and Classical periods. Rask analyzes archeological, epigraphic, and textual evidence to highlight the role of individuals as vital actors and makers of Greek religion. A range of perspectives, such as those of Archaic mariners and Late Classical weaving women, show that religion infused the daily lives of ancient Greeks. Chapters visit the many spaces where people engaged in religious activities, from household kitchens to international emporia, as well as shrines both large and small. The book also interrogates devotional activities suc...
Divine Images and Human Imaginations in Ancient Greece and Rome
Based on the visual and textual evidence, this volume concentrates on the artistic, intellectual, religious, and socio-political importance of divine images as media of communication in the polytheistic cosmos of ancient Greece and Rome.
The Frame in Classical Art
This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.
Theologies of Ancient Greek Religion
This book does away once and for all with the assumption that only religions of the book think systematically about god(s).
Greek and Roman Small Size Sculpture
Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholar...
