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Skilfully connecting multidisciplinary sources along broad historical continuum, The Space of the Book will be a valuable resource as the study of Russian print culture takes on new directions in a digitized world.
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
In every country across Europe, at some point or other during the last five hundred years, cheap printed materials were the staple diet of ordinary people, providing a rich array of entertainment, education, and information. They came in various forms, but were usually variations on the theme of single sheets or simple booklets, and they were carried far and wide in pedlars’ packs and sold in the streets, at fairs and markets and wherever crowds gathered, as well as in backstreet shops. Their content was as broad as can be imagined: news and scandal, crimes and last-dying confessions of murderers, divinations, instructional works, wonder stories, miracles, folktales and legends, love stori...
Japan, Russia, and Turkey are major examples of countries with different ethnic, religious, and cultural background that embarked on the path of modernization without having been colonized by a Western country. In all three cases, national consciousness has played a significant role in this context. The project of Modernity is obviously of European origin, but is it essentially European? Does modernization imply loss of a country’s cultural or national identity? If so, what is the “fate” of the modernization process in these cases? The presence of the idea and reality of civil society can be considered a real marker of Modernity in this respect, because it presupposes the development o...
Romantic Encounters focuses on literary periodicals of the 1830s to describe the destabilization of readerly and writerly identities which occurs when Romantic irony meets an apparently rising literary marketplace.
DIVA contribution to understanding life in Imperial Russia through the work of contemporary women journalists./div
Nineteenth-century Armenia was a zone of competition between the Persian, Ottoman, and the Russian Empires. Yet over the course of the century a new generation of Armenian journalists, scholars, and writers worked to transform their geographically, socially, and linguistically fragmented communities threatened by regional isolation and dissent, into a patriotic and nationally conscious population. Lisa Khachaturian seeks to explain how this profoundly divided society managed to achieve a common cultural bond.The national project that captivated nineteenth-century Eastern Armenian intellectuals was a daunting task, especially since their efforts were directed in the Caucasus--a territory know...
Learn how libraries have risen to the challenges created by the fall of Communism and the rise of information technology! How do librarians and researchers face war, social upheaval, and other challenges after the fall of Communism and the rise of digital technology? Libraries in Open Societies offers fascinating answers to this and many other questions while providing an overview of this rapidly changing arena. An international panel of authors who know the specialized concerns of libraries in Eastern Europe and the former USSR addresses topics that include the difficulty of preserving and acquiring materials, the importance of international cooperation, and the benefits and pitfalls of ele...
Many Russian women of the late 19th and early 20th centuries tried to find authentic religious, marital, professional, and political experiences. Some very remarkable ones found these things in varying degrees, while others sought unsuccessfully but no less desperately to transcend the generations-old restrictions imposed by church, state, village, class, and gender. Like a Slavic Downton Abbey, this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, indeed, the twentieth century in the West. In their own words and images, and each in their own unique way, these remarkable Russian women construct a fascinating tapestry of a culture at the crossroads of modernity and on the brink of catastrophe.
This book is a study of the relationship between newspapers and public opinion.