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The Aulikaras were the rulers of western Malwa (the northwest of Central India) in the heyday of the Imperial Guptas in the fifth century CE, and rose briefly to sovereignty at the beginning of the sixth century before disappearing from the spotlight of history. This book gathers all the epigraphic evidence pertaining to this dynasty, meticulously editing and translating the inscriptions and analysing their content and its implications.
No detailed description available for "Pratidanam: Indian, Iranian, and Indo-European studies presented to Franciscus Bernardus Jacobus Kuiper on his sixtieth birthday".
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.
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For now more than half a century, scholars of the history of Western art have become familiar with the idea that art is embedded in a social and cultural context which imbues it with meaning and as such may be viewed as a source which generates knowledge concerning this context; this again may result in a better understanding of the artefact itself. This synthetic method of investigation, known under the name of ‘iconology,’ has proved to be of great value in the research of the history of culture. The present book is an essay in which the ‘classical age’ of India is studied by exploring textual as well as archaeological sources that relate to the kingdom of the Vākāṭakas, the so...
This pioneering book is the first full-length study of the matha, or Hindu monastery, which developed in India at the turn of the first millennium. Rendered monumentally in stone, the matha represented more than just an architectural innovation: it signaled the institutionalization of asceticism into a formalized monastic practice, as well as the emergence of the guru as an influential public figure. With entirely new primary research, Tamara I. Sears examines the architectural and archaeological histories of six little-known monasteries in Central India and reveals the relationships between political power, religion, and the production of sacred space. This important work of scholarship features scrupulous original measured drawings, providing a vast amount of new material and a much-needed contribution to the fields of Asian art, religious studies, and cultural history. In introducing new categories of architecture, this book illuminates the potential of buildings to reconfigure not only social and ritual relationships but also the fundamental ontology of the world.
Ancient Indian history has always been mystical; more so a virtual utopia for historians and researchers. This scholarly text narrates the ancient Indian history from the genesis of civilisations to the early medieval ages. It examines the sources, chronology of civilisations and authoritatively details the facts, feats, triumphs and religious crusades of the period. It unveils the rich cultural, religious and social diversity that is uniquely and peculiarly Indian. The book is of immense use to students of arts and law courses as well as for candidates preparing for various competitive examinations.