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Mischa Kuball
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Mischa Kuball
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MISCHA KUBALL
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Megazeichen
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Project Rooms
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Mischa Kuball, Public Preposition
New Perspectives on Seemingly Familiar Urban Contexts
Mischa Kuball
Reflections on Mischa Kuball's site-specific light and sound installation, res·o·nant, at the Jewish Museum Berlin. In this book, writers and artists consider conceptual artist Mischa Kuball's site-specific light and sound installation, res·o·nant, on view at the Jewish Museum Berlin from November 2017 to August 2019. The contributors echo, shed light on, and reflect on Kuball's creation of a resonant space in and outside the museum space. Contributors Christoph Asendorf, Juan Atkins, Horst Bredekamp, Diedrich Diederichsen, Kathrin Dreckmann, Shelley Harten, Norman Kleeblatt, Alexander Kluge, Daniel Libeskind, Gregor H. Lersch, Léontine Meijer-van Mensch, W.J. T. Mitchell, Hans Ulrich Reck, Richard Sennett, Peter Weibel, Lawrence Weiner, John C. Welchman, Alena Williams
Mischa Kuball
Reflections on Mischa Kuball's site-specific light and sound installation, res·o·nant, at the Jewish Museum Berlin. In this book, writers and artists consider conceptual artist Mischa Kuball's site-specific light and sound installation, res·o·nant, on view at the Jewish Museum Berlin from November 2017 to August 2019. The contributors echo, shed light on, and reflect on Kuball's creation of a resonant space in and outside the museum space. Contributors Christoph Asendorf, Juan Atkins, Horst Bredekamp, Diedrich Diederichsen, Kathrin Dreckmann, Shelley Harten, Norman Kleeblatt, Alexander Kluge, Daniel Libeskind, Gregor H. Lersch, Léontine Meijer-van Mensch, W.J. T. Mitchell, Hans Ulrich Reck, Richard Sennett, Peter Weibel, Lawrence Weiner, John C. Welchman, Alena Williams
Art and Ethics in a Material World
In this book, McMahon argues that a reading of Kant’s body of work in the light of a pragmatist theory of meaning and language (which arguably is a Kantian legacy) leads one to put community reception ahead of individual reception in the order of aesthetic relations. A core premise of the book is that neo-pragmatism draws attention to an otherwise overlooked aspect of Kant’s "Critique of Aesthetic Judgment," and this is the conception of community which it sets forth. While offering an interpretation of Kant’s aesthetic theory, the book focuses on the implications of Kant’s third critique for contemporary art. McMahon draws upon Kant and his legacy in pragmatist theories of meaning and language to argue that aesthetic judgment is a version of moral judgment: a way to cultivate attitudes conducive to community, which plays a pivotal role in the evolution of language, meaning, and knowledge.
