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Egypt in Croatia: Croatian Fascination with Ancient Egypt from Antiquity to Modern Times
Elements from Ancient Egypt have been present in Croatia ever since Antiquity. 'Egypt in Croatia' considers artefacts discovered in present-day Croatia, 16th-20th century travellers, Egyptian collections and early collectors (1820s-1950s), the development of Egyptology as a field of study as well as the various elements of ‘Egyptomania’.
Ne ljuti se
Illustreret børnebog i farver. Teo er en dreng, som ofte bliver sur på alt og alle. En dag giver Teos far ham et godt råd om, hvad han skal gøre, når han næste gang bliver sur
Velikonožac
None
The Reason for Our Evolution
Theories talk about the motives and causes of evolution. Darwin explained our origin from primates and the mechanism of evolution of natural selection, but in our case, it is not yet clear. Are free hands important? What about upright gait and brain volume? It is widely believed that free hands and upright gait made it possible to meet the need for food, thus enabling brain development. The author points out that the brain is important, but its development is the understanding of abstraction! Two million years ago, the volume of our brain (not our hands) developed abruptly. Can you imagine how much of a need there was for such great brain growth? Today we live in a technological age and the ...
A History of Research Into Ancient Egyptian Culture in Southeast Europe
This book will try to give a review of the history of the studies of Ancient Egypt done in Southeast Europe, and present some of the latest research. The book comprises a selection of papers in which scholars from various institutions of the region reviewed the different aspects of past studies along with recent research in the field.
Filozofski vestnik
None
Space and Time in Artistic Practice and Aesthetics
When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore.
