Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Modern Women: Women Artists at The Museum of Modern Art
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Modern Women Artists in the Nordic Countries, 1900–1960
This transnational volume examines innovative women artists who were from, or worked in, Denmark, Finland, Greenland, Iceland, Norway, Sápmi, and Sweden from the emergence of modernism until the feminist movement took shape in the 1960s. The book addresses the culturally specific conditions that shaped Nordic artists’ contributions, brings the latest methodological and feminist approaches to bear on Nordic art history, and engages a wide international audience through the contributors’ subject matter and analysis. Rather than introducing a new history of "rediscovered" women artists, the book is more concerned with understanding the mechanisms and structures that affected women artists ...
Contemporary British Women Artists
In this illuminating collection of new interviews, some of the most important women artists practising in Britain today talk about their work, their influences and their relationships, sometimes ambivalent, with the art historical canon. Enlightening and frequently entertaining, the interviews, with artists spanning different generations and working in media as diverse as performance art, painting, sculpture, video and installation, give fascinating first-hand insights into both the artists' lives and the creative process. Fortnum speaks to: Tacita Dean, Tanya Kovats, Christine Borland, Jane Harris, Vanessa Jackson, Tracey Emin, Maria Lalic, Hayley Newman, Sonia Boyce, Emma Kay, Gillian Ayres, Lucy Gunning, Claire Barclay, Maria Chevska, Anya Gallacio, Jemima Stehli, Runa Islam and Paula Rego.
Modern Women
Essays discuss the role of women at the Museum of Modern Art and the museum's influence on women artists; profile noted early modern, mid-century and contemporary women artists; and explore other aspects of the work of women artists.
50 Women Artists You Should Know
This comprehensive survey of 50 influential women artists from the Renaissance to the Post-Modern era details their vast contributions to the art world.
After the Revolution
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
We Weren't Modern Enough
Meskimmon asks why women artists were left out of the canon of German modernism, tracing the reasons to the construction of a unified (male) history of art that in effect denied women a voice. The book is an effort to reconceive the period's art history and the perspective of the Weimar woman artist.
The Reckoning
The authors of After the Revolution return with an incisive study of the work of contemporary women artists. In After the Revolution, the authors concluded that "The battles may not all have been won . . . but barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." Now, with The Reckoning, authors Heartney, Posner, Princenthal, and Scott bring into focus the accomplishments of 24 acclaimed international women artists born since 1960 who have benefited from the groundbreaking efforts of their predecessors. The book is organized in four thematic sections: "Bad Girls" profiles artists whose work represents an assault on conventional notions of gender and ra...
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
Contains substantial entries on 600 fine artists born before 1945. The emphasis is historical, focusing on the Western tradition of painting and sculpture, and exploring the problems women encountered in trying to obtain adequate training and professional recognition. Introductory essays examine training opportunities, the changing conditions of work for women since the medieval period, the contribution of women to the applied arts, and training and professionalism in 19th and 20th century Europe, Russia, North America and Australasia. Entries include biographical information, a list of principle exhibitions, selected writings, a bibliography, a representative work, and a description of critical reception, professional and artistic development, individual works and philosophies, and the artist's influences, contemporaries and companions. Annotation copyrighted by Book News, Inc., Portland, OR
Women Artists in the Modern Era
Now available in paper! This anthology brings together selections from sixty-one primary source documents_artist's letters, journals, and memoirs; critics' reviews; and minutes and reports of artists' societies and schools_that illuminate the experience of women artists from the mid-eighteenth to the mid-twentieth centuries in the United States and Europe. In addition to material related to the work of such well-known painters and sculptors as Elisabeth-Louise Vigee-Lebrun, Angelica Kauffmann, Rosa Bonheur, Harriet Hosmer, Cecilia Beaux, Marie Bashkirtseff, Berthe Morisot, Sonia Delaunay-Terk, and Barbara Hepworth, the volume includes material related to the work of amateur artists and women in ceramics and textiles. Cloth edition published in 1991.
