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The Music Division
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Maccheroni Books
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AWI-1-
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Good Citizen's Furniture
This publication is the first to document the exceptional collection of Arts and Crafts furniture held in Cheltenham: from William Morris and his circle right up to the present day. Each item is fully catalogued and illustrated alongside its entry.
Four Novellas
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Hannah Wilke
Eros and Oneness / Tamara H. Schenkenberg -- Elective Affinities: Hannah Wilke's Ceramics in Context / Glenn Adamson -- Needed Erase Her? Don't. / Connie Butler -- Daughter/Mother / Catherine Opie -- Ha-Ha-Hannah / Jeanine Oleson -- Cycling Through Gestures to Strike a Pose / Nadia Myre -- Play and Care / Hayv Kahraman -- Cindy Nemser and Hannah Wilke in Conversation, 1975.
Nicolás Guagnini: Theatre of the Self
Nicolás Guagnini: Theatre of the Self is a hybrid catalogue-reader based on the exhibition of the multi-threaded performances of Buenos Aires-born New York-based Guagnini. Many of these works, spanning from 2005 until 2019, have never been seen before or have not been seen since their original live presentation. Raised in Argentina during the "Dirty War" and violent military dictatorship, Guagnini moved to New York in the late 1990s and co-founded the film production company Union Gaucha Productions with Karin Schneider in 1997. In 2005 Guagnini became co-founder of Orchard Gallery, an artist cooperative based on the Lower East Side. The work in Theatre of the Self is informed in part by au...
Baroque Music Today
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Dark Spring
An autobiographical novel that reads more like an exorcism than a novel. In terse and lucid prose, Zurn traces the roots to her obsessions: the exotic father whom she idolized, the impure mother she detested, the masochistic fantasies and onanistic rituals which she said described 'the erotic life of a little girl based on my own childhood.' Dark Spring is the story of a girls's simultaneous initiation to sexuality and madness, revealing a dark side of the 'mad love' so championed and romanticized by the (predominantly male) Surrealists.
Communions
Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions is an attempt to probe the haunting singularity of opiate addiction and its ineradicable influence on art and culture.
