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This Selection Is An Attempt To Represent The Facility With Which Indians Used The English Language In The Nineteenth Century. It Also Represents The Various Ways In Which Indians Wrote Or Spoke Of Their Country And As Such It Is A Selection Of Statements About India And The Idea Of The Indian Nation. It Includes Political, Cultural, Religious And Literary Pieces And Everywhere The Preference Has Been For Pieces Which Show Indian Eloquence In English. The Figures Included Are Raja Rammohun Roy, Dadabhai Naoroji, Keshab Chandra Sen, Mahadev Govind Ranade, Woomesh Chandra Bannerjee, Badruddin Tyabji, Sir Ferozeshah Mehta, Romesh Chunder Dutt, Bal Gangadhar Tilak, Swami Vivekananda, Gopal Krishna Gokhale, V.S. Srinivasa Sastri, Mahatma Gandhi And Sri Aurobindo. The Collection Is Reader Friendly But The Reader Will Have To Engage Actively With The Authors And Make The Necessary Connections Of Themes And Ideas To Benefit Fully From The Anthology.
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The Present Book Seeks To Bring Out The Contours Of The Indian Novel With A Social Purpose Which Has Stuck Deep Roots In The Indian Soil By Imaginatively Treating The Contemporary Problems And Artistically Exploring And Interpreting India In All Its Variegated Aspects. It Shows How The Indian English Novelists, Who Are Inspired By The Vision Of A Just Social Order Portray Powerfully The Real Grandeur Of The Poor And The Down-Trodden And Their Yearning For A Just, Humane Indian Polity.Divided Into Two Parts, The Book Covers Both The Indian Novels Originally Written In English And The Indian Novels Originally Written In Regional Languages And Translated Into English. If The First Group Of The Novels Depicts The Political, Economic And Social Oppression Of The Individual The Second Group Centers On The Individual'S Search For Identity. This Book Is Expected To Be Of Considerable Interest And Use To The Teachers As Well As The Students Of Indian English Fiction.
This book explores the formations and configurations of British colonial discourse on India through a reading of prose narratives of the 1600-1920 period. Arguing that colonial discourse often relied on aesthetic devices in order to describe and assert a degree of narrative control over Indian landscape, Pramod Nayar demonstrates how aesthetics furnished a vocabulary and representational modes for the British to construct particular images of India. Looking specifically at the aesthetic modes of the marvellous, the monstrous, the sublime, the picturesque and the luxuriant, Nayar marks the shift in the rhetoric – from the exploration narratives from the age of mercantile exploration to that of the ‘shikar’ memoirs of the late nineteenth and early twentieth century’s extreme exotic. English Writing and India provides an important new study of colonial aesthetics, even as it extends current scholarship on the modes of early British representations of new lands and cultures.
Contributed essays.
Open any page of this book of 365 Thoughts of Spiritual Wisdom, and you will drift into a cornucopia of various voices from towering scholars of spirituality speaking from personal experience.
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This is a compilation of 250 snippets mostly on Sanatana Dharma. They are a variegated mix of anecdotes from scriptures and puranas, facts related to Hindu beliefs and some pieces of history. They also contain bits of Vedantic philosophic arguments and clarification of widely-held misconceptions of it. Also sprinkled throughout the work are comments from famous authors both Eastern and Western on various aspects of Sanatana Dharma. Each snippet stands on its own and can be enjoyed individually.
The Papers Brought Together In This Volume Were Presented At A Seminar Organised In January 1991 Under The Joint Auspices Of The Sahitya Akademi And The Literary Criterion Centre, Dvanyaloka, Mysore. In Collaboration With The Indian Association Of Commonwealth Literature. Several Scholarly Papers Were Presented At The Seminar On The Indian Concept Of Natya, Dhvani, Aucitya And Alankara. Erudite Scholars From All Parts Of The Country Took Part. This Seminar Represents The Third Phase Of The Interaction Between Indian And Western Critical Endeavours. Sahitya Akademi Is Happy To Bring Out These Papers In Book-Form For The Benefit Of Discerning Scholars, Academics And General Readers.
This book retraces the formation of modern English Studies by departing from philological scholarship along two lines: in terms of institutional histories and in terms of the separation of literary criticism and linguistics.