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Writing the Self, Creating Community
This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.
Rhine Crossings
Rhine Crossings explores the conflicts and resolutions that have characterized the relationship between France and Germany over the past two centuries. Despite their varying outlooks on life and style (the French esprit and the German wesen), and despite three bloody wars (the Franco-Prussian and the two world wars), there has always been and still is a vital intellectual, political, and cultural exchange between these former "archenemies." The essays in this book detail the admiration and antagonism in French and German attempts to seek each other out while keeping their individual senses of self. Focusing on representative works of literature, film, and philosophy, the contributors identify the problems vexing these countries (war, economic competition) as well as possible solutions (the Maastricht treaty, increasing youth exchange). From the literary salons of the eighteenth century to the trenches of the twentieth, from a love-hate relationship to one of cooperation and peace, this book investigates the unique and volatile dialectic between these two nations and cultures.
The Lessing Yearbook
The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English.
Shakespeare as German Author
Shakespeare as German Author, edited by John McCarthy, revisits in particular the formative phase of German Shakespeare reception 1760-1830. Following a detailed introduction to the historical and theoretical parameters of an era in search of its own literary voice, six case studies examine Shakespeare’s catalytic role in reshaping German aesthetics and stage production. They illuminate what German speakers found so appealing (or off-putting) about Shakespeare’s spirit, consider how translating it nurtured new linguistic and aesthetic sensibilities, and reflect on its relationship to German Geist through translation and cultural transfer theory. In the process, they shed new light, e.g., on the rise of Hamlet to canonical status, the role of women translators, and why Titus Andronicus proved so influential in twentieth-century theater performance. Contributors are: Lisa Beesley, Astrid Dröse, Johanna Hörnig, Till Kinzel, John A. McCarthy, Curtis L. Maughan, Monika Nenon, Christine Nilsson.
Women's Utopias of the Eighteenth Century
No human society has ever been perfect, a fact that has led thinkers as far back as Plato and St. Augustine to conceive of utopias both as a fanciful means of escape from an imperfect reality and as a useful tool with which to design improvements upon it. The most studied utopias have been proposed by men, but during the eighteenth century a group of reform-oriented female novelists put forth a series of work that expressed their views of, and their reservations about, ideal societies. In Women's Utopias of the Eighteenth Century, Alessa Johns examines the utopian communities envisaged by Mary Astell, Sarah Fielding, Mary Hamilton, Sarah Scott, and other writers from Britain and continental ...
The Radical Enlightenment in Germany
This volume investigates the impact of the Radical Enlightenment on German culture during the eighteenth century, taking recent work by Jonathan Israel as its point of departure. The collection documents the cultural dimension of the debate on the Radical Enlightenment. In a series of readings of known and lesser-known fictional and essayistic texts, individual contributors show that these can be read not only as articulating a conflict between Enlightenment and Counter-Enlightenment, but also as documents of a debate about the precise nature of Enlightenment. At stake is the question whether the Enlightenment should aim to be an atheist, materialist, and political movement that wants to change society, or, in spite of its belief in rationality, should respect monarchy, aristocracy, and established religion. Contributors are: Mary Helen Dupree, Sean Franzel, Peter Höyng, John A. McCarthy, Monika Nenon, Carl Niekerk, Daniel Purdy, William Rasch, Ann Schmiesing, Paul S. Spalding, Gabriela Stoicea, Birgit Tautz, Andrew Weeks, Chunjie Zhang
Borderwork
The first book to assess the impact of feminist criticism on comparative literature, Borderwork recharts the intellectual and institutional boundaries on that discipline and calls for the contextualization of the study of comparative literature within the areas of discourse, culture, ideology, race, and gender.
Lessing Yearbook
The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English. Essays in this volume explore a wide variety of subjects pertaining to class and gender, identity formation, and art in Lessing's work, as well as Lessing's philosphy on music and poetry.
Goethe Yearbook 27
A new Forum section focuses on the impact of Digital Humanities on Goethe scholarship and on eighteenth-century German Studies, alongside articles on a diverse range of authors and topics.The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 27 features the yearbook''s first Forum, a discussion of the impact of Digital Humanities (DH) and "computational criticism" on Goethe scholarship and eighteenth-century German Studies more broadly. For this launch, invited contributors were askedto consider the canon in comparison to "the great unread" (Margare...
The Poetics of Passage
Following German writer Christa Wolf’s death in December 2011, the scholarly interest that her work had generated over four decades now culminates in the question of her literary and cultural legacy. Throughout her long writing career, Christa Wolf often pointed to generational differences, and asked questions about historical experiences specific to the period’s contemporaries. The Poetics of Passage discusses the experience of time and history, and their representation as two of the late author’s guiding concerns. Considering Wolf’s critiques of Anna Seghers’ work, Heike Polster develops a framework for understanding the poetic construction of time in Wolf’s texts. Furthermore, the writer’s critical engagement with memory, history, and the writing process is formulated into a poetics of contemporaneity, or “Zeitgenossenschaft”, that Polster’s study outlines as Wolf’s poetological response to the ontological questions of time’s passage.
