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Cashmere
A revised and expanded edition of Monique Lévi-Strauss's classic 1987 book on French cashmere shawls with superb photographs and a wealth of archive material The delicate beauty of the cashmere shawl was first brought to Europe by the East India Companies and Napoleon's campaigns. Woven in Kashmir, its fabric was so light that, according to legend, a whole shawl could be passed through a finger ring. Exquisite and expensive, by the nineteenth century these shawls were highly sought-after in France; enterprising French manufacturers soon saw that there was a market for more accessibly priced versions and started to create their own. Here is the story of French cashmere shawls of the nineteenth century. At first, the shawl-makers strove to imitate the traditional hand-made designs using modern techniques of mass production, but then they began to explore and innovate. As weaving technology evolved, motifs grew increasingly complex, expanding from the decorative borders and extending across the whole surface of the shawl and filling it with jewel-like colors.
The Cashmere Shawl
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Sheila Hicks
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Kashmir Shawls
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Lévi-Strauss
Academic, writer, figure of melancholy, aesthete – Claude Lévi-Strauss (1908–2009) not only transformed his academic discipline, he also profoundly changed the way that we view ourselves and the world around us. In this award-winning biography, historian Emmanuelle Loyer recounts Lévi-Strauss’s childhood in an assimilated Jewish household, his promising student years as well as his first forays into political and intellectual movements. As a young professor, Lévi-Strauss left Paris in 1935 for São Paulo to teach sociology. His rugged expeditions into the Brazilian hinterland, where he discovered the Amerindian Other, made him into an anthropologist. The racial laws of the Vichy reg...
History of Structuralism: The rising sign, 1945-1966
Content Description #Includes bibliographical references and index.
Sheila Hicks: Lifelines
An admirer of pre-Columbian textiles, the artist uses large sculptures as well as miniature weaves to create tapestries that bring their color to life.
Sheila Hicks
Drawing on global weaving traditions, the history of painting and sculpture, graphic design, and architecture, Sheila Hicks has redefined how fiber is used to create art, influencing a generation of artists. Sheila Hicks: Material Voices explores sixty years of her prolific career through four diverse perspectives. Karin Campbell considers how Hicks's oeuvre has taken shape over time and highlights the essential links between the artist's work and lived experience. Ted Kooser reflects on the aesthetic and poetic power Hicks's work, while Jason Farago delves into Hicks's incomparable eye for color. Finally, a conversation between the artist and Monique Lévi-Strauss looks back to formative experiences from early in Hicks's life and career.
A Possible Anthropology
In a time of intense uncertainty, social strife, and ecological upheaval, what does it take to envision the world as it yet may be? The field of anthropology, Anand Pandian argues, has resources essential for this critical and imaginative task. Anthropology is no stranger to injustice and exploitation. Still, its methods can reveal unseen dimensions of the world at hand and radical experience as the seed of a humanity yet to come. A Possible Anthropology is an ethnography of anthropologists at work: canonical figures like Bronislaw Malinowski and Claude Lévi-Strauss, ethnographic storytellers like Zora Neale Hurston and Ursula K. Le Guin, contemporary scholars like Jane Guyer and Michael Jackson, and artists and indigenous activists inspired by the field. In their company, Pandian explores the moral and political horizons of anthropological inquiry, the creative and transformative potential of an experimental practice.
