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At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they're both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare's status as England's National Poet and Python's similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the "Other" in Shakespearean and Pythonesque creations.
Fifteen experts on topics like mythology, Buddhism, feminism, logic, ethics, and the philosophy of science bring their expertise to bear on Monty Python movies. This volume follows the same hit format as the other titles in this series and explains all the philosophical concepts in laymen's terms.
The classic piece of cinematic blasphemy from 1979.
Traces the history of the Monty Python TV show, going back to the very beginning when Barry Took assembled the 'best comic' talent sloshing around the BBC' during the late 1960s, through the TV years and on to the live shows and feature films. With a biography of each Python, a programme guide, a filmography and a host of photographs throughout the text, this is the ultimate tribute to a genius comedy act that became a worldwide cult. [inside cover]. The illustrated history of Monty Python's Flying Circus. Complete episode guide. Biography of each Python. Archive photographs from the films and classic TV shows. [back cover]. From May 1969 six young men by the names of John Cleese, Terry Gilliam, Terry Jones, Graham Chapman, Michael Palin and Eric Idle, created 45 TV episodes over 5 years.
With a Foreword by John Oliver, host of Last Week Tonight In celebration of the 50th anniversary of its BBC debut, a revised and updated edition of the complete oral history of Monty Python—an insightful, in-depth portrait of the brilliant and hysterically funny show that transformed modern comedy. Broadcast by the BBC between 1969 and 1974, Monty Python’s Flying Circus introduced something completely different: a new brand of surrealistic, stream-of-consciousness comedy that pushed the traditional boundaries of format, style, and content. Blending brilliant satire with slapstick silliness, The Pythons—Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin...
Have you ever wanted to be a lumberjack? Had trouble with a dead parrot? Or gone for a silly walk? Combining outrageous humour, unbridled creativity and surreal animation, John Cleese, Michael Palin, Graham Chapman, Terry Gilliam, Terry Jones and Eric Idle entertained millions and inspired generations of future comedians. Including all Monty Python material ever produced, from the Flying Circus to the Life of Brian to Spamalot! with biographies, programme guides and a filmography, this is a must-have plethora of Pythonism and a fitting tribute to comedic pioneers.
The ground breaking comedy troupe that changed comedy forever is now immortalized in comic book form. Its....Comics: Monty Python's Flying Circus, follows the group from it's members various beginnings on the college stage to their pioneering television show, movies, breakup and their triumphant reformation.
The definitive account of the first thirty years of Monty Python, in the words of the Pythons themselves - John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin.
A comprehensive study examining the history, content, and context of the legendary comedy series Monty Python’s Flying Circus. One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show’s cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, ...
Examining Monty Python's enduring status as an unconventional, anti-authoritarian comedy touchstone, this book reappraises Python's comedy output from the perspective of its 50 years of cultural circulation. Reconsidering the group's originality, impact and durability, a range of international scholars explores Python's influences, production contexts, frequently controversial themes, and the cult status and forms of fandom associated with Python in the present day. From television sketches, including The Funniest Joke in the World, Hell's Grannies, Dead Parrot and Confuse-a-Cat, to the films Monty Python and the Holy Grail, Life of Brian and The Meaning of Life, to songs from the albums and live shows, this book is a ground-breaking critical analysis of the Monty Python phenomenon.