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Critical Approaches To Fiction Is Designed To Offer The Post-Graduate Student, And The General Reader, A Comprehensive Cross-Section Of Some Of The Best Critical Material Available On The Theory And Practice Of Fiction. Within The Compass Of This Volume, The Authors Have Included Representative Essays By Such Eminent Critics And Writers As Saul Bellow, Eudora Welty, Mark Schorer, Philip Rahv And Wayne C. Booth. This Book Covers, Every Significant Aspect Of Fiction Plot, Character, Language, Theme, Setting And The Diverse Modes Of Presentation.It Is Earnestly Hoped That This Book Would Be Found Eminently Useful Both By Teachers And Students Of Indian Universities.
More than any other author of the Modern period of American literature, John Steinbeck evidenced a serious interest and background in moral philosophy. His personal reading collection included works ranging from Kant and Spinoza to Taoism and the Bible. Critics also consistently identify Steinbeck as an author whose work promotes serious moral reflection and whose characters undergo profound moral growth. Yet to date there has been no sustained examination of either John Steinbeck's personal moral philosophy or the ethical features and content of his major works. This critical neglect is remedied by a collection of highly readable essays exploring the philosophy and work of one of America's few Nobel Prize winning authors. These thirteen essays, written by experts both within philosophy and Steinbeck studies, examine almost all of Steinbeck's major works. Included in the compilation are five general essays examining Steinbeck's own moral philosophy and eight specific essays analyzing the ethics of various major works.
Provides insight into four of Frost's poems along with a short history of the man and his life.
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New portrayals of the religious lives of American Jewish women from colonial times to the present.
In writing this book, my intention is to fill a need not met by any of the excellent critical books and collections of essays about Robert Frost's poems. A few of these books provide analysis of up to 50 or 60 of Frost's poems. But none offers, as this work does, a basic commonsensical explication of all 355 poems in The Poetry of Robert Frost (1969), edited by Edward Connery Lathem, now the standard collection of Frost's poems. - from the Introduction by the author.
Is there a unique visual infrastructure that keeps and defines a culture? Professor Guillen discusses a culture built entirely on the visual modality and, most significantly, on that province of the visual we negotiate through the written word. Although this work analyzes features critical to the American legal tradition from its origins in Anglo-Saxon jurisprudence to recent Supreme Court decisions---substantially exploring Judge Scalia's "originalist" movement and Posner's law and economics theories---the presiding agency remains the power of the written language to provide scaffolding to American culture. Writing, it is argued, contours: our worldview, our laws, morality, science, social ...
John Fraser's critical essays explore conflicting attitudes towards self-affirmation and social order. Important concerns that touch these essays are ideas of energy, power, and personal plenitude, and the way in which idealism and heroic intensity can sometimes lead to overstrain and collapse.
Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a ...