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The Morningside Man
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The Morningside Years
From 1972 to 1997, each weekday morning, "Morningside host Peter Gzowski guided what he considered the most intelligent listeners in the country through three hours of the most intelligent radio programming in the land. He took us through the briars of political and social policy debate, entertained us with the best of Canadian music and song, challenged us with the mysteries of science, tipped us to the better books of the season and introduced us to their authors, gave us tested and mouthwatering recipes, read aloud our best letters to him, and took us off the beaten path of Canada to show us who and where we are. The program lives on in "The Morningside Years. In these pages - and on the ...
Jan Rubes
Jan Rubes has been a leading performer and director on film, stage, radio and TV and has a varied interest. He emigrated to Canada from Czechoslovakia in 1949 and was soon a leading bass in the Canadian Opera Company. He has performed throughout Canada and the US in countless solo recitals and appearances with symphony orchestras. With his wife, he developed Young People's Theatre in Toronto. A member of the Order of Canada, he holds two doctorates and has been both a national tennis champion as well as an important part of the history of performing arts in Canada. Clearly a man of many talents.
My Double Life
After 15 books about somebody else (mostly alter ego Charlie Farquharson), Don Harron now presents the colourful story of his 77-year career in the entertainment business.
Peter Gzowski
Born in 1934, Peter Gzowski covered most of the last half of the century as a journalist and interviewer. This biography, the most comprehensive and definitive yet published, is also a portrait of Canada during those decades, beginning with Gzowski's days at the University of Toronto's The Varsity in the mid 1950s, through his years as the youngest-ever managing editor of Maclean's in the 1960s and his tremendous success on CBC's Morningside in the 1980s and 1990s, and ending with his stint as a Globe and Mail columnist at the dawn of the 21st century and his death in January 2002. Gzowski saw eight Canadian Prime Ministers in office, most of whom he interviewed, and witnessed everything from the Quiet Revolution in Québec to the growth of economic nationalism in Canada's West. From the rise of state medicine to the decline of the patriarchy, Peter was there to comment, to resist, and to participate. Here was a man who was proud to call himself Canadian and who made millions of other Canadians realize that Canada was, in what he claimed was a Canadian expression, not a bad place to live.
Stories About Storytellers
The legendary Canadian book editor presents this “remarkable, four-decade romp through the back rooms of publishing” (Toronto Sun). Scottish-born Douglas Gibson was drawn to Canada by the writing of Stephen Leacock—and eventually made his way across the Atlantic to find a job in book publishing, where he edited a biography of none other than Leacock. But over the decades, his stellar career would lead him to work with many more of the country’s leading literary lights. This memoir shares stories of working—and playing—alongside writers including Robertson Davies, Mavis Gallant, Brian Mulroney, Val Ross, W. O. Mitchell, and many more. Gibson reveals the projects he brainstormed fo...
The Politics and Economics of Eric Kierans
In this political biography, John McDougall argues that the successes and failures of Eric Kierans' public life provide insights into the policy dilemmas that Canada faces in attempting to remain a united and independent country. Since his first political appointment as a minister in Jean Lesage's Quebec government in the early 1960s Kierans has consistently addressed the issues dominating Canadian public life for the past thirty years.
Picturing Canada
The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.
Sexing the Maple
Sexing the Maple is a unique sourcebook designed to raise issues of nationalism and sexuality in Canada through a rich and diverse selection of fiction, poetry, criticism, and history. Structured so as to provide an interactive study of these issues, the collection considers topics as wide-ranging as First Nations sexuality, censorship, assisted reproduction, and religion. Literary works by Alice Munro, Jane Rule, Timothy Findley, Leonard Cohen, Irving Layton, Lynn Crosbie, Michael Turner, and many others are juxtaposed with criticism and historical documents, many of which were previously out of print or unavailable. Selections include Marshall McLuhan’s 1967 article “The Future of Sex” and excerpts from Stan Persky and John Dixon’s Kiddie Porn, SKY Lee’s Disappearing Moon Cafe, and Margaret Atwood’s A Handmaid’s Tale.
The Engine of Visualization
In the first philosophical book wholly about photography, Patrick Maynard dispels some basic, persistent confusions by treating photography as a technology—a way to enhance and filter human power. Once photography is understood as a kind of technology, Maynard argues, insights about technology may be applied to provide the general perspective on photography that has been missing.
