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Creating Central Park
The year 2008 marks the 150th anniversary of the design of Central Park, the first and arguably the most famous of America’s urban landscape parks. In October 1857 the new park’s board of commissioners announced a public design competition, and the following April the imaginative yet practicable "Greensward” plan submitted by Calvert Vaux and Frederick Law Olmsted was selected. This book tells the fascinating story of how an extraordinary work of public art emerged from the crucible of New York City politics. From William Cullen Bryant’s 1844 editorial calling for "a pleasure ground of shade and recreation” to the completion of construction in 1870, the history of Central Park is an urban epic--a tale not only of animosity, political intrigue, and desire but also of idealism, sacrifice, and genius.
John Townsend
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American Rococo, 1750-1775
Published in conjunction with an exhibition organized by, and held at, the Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art, this volume examines the American (i.e. British colonial) manifestations of the European rococo style. Following an introductory chapter, separate chapters are devoted to architecture, engravings, silver, and furniture, plus iron, glass, and porcelain grouped together as factory products. Illustrated are 173 objects (many in color) that are part of the exhibition, and some 50 related objects. Annotation copyrighted by Book News, Inc., Portland, OR
Chippendale's Director: A Manifesto of Furniture Design
Published to coincide with the three hundredth anniversary of the birth of Thomas Chippendale, England’s most famous cabinetmaker, this issue of the Bulletin addresses the history of Chippendale works at The Met. Morrison H. Heckscher recounts the designer’s meteoric rise from rural obscurity to the heights of the London luxury trade, crediting that remarkable success to the publication of the Chippendale Director, an instructive book on furniture design and ornament. The text analyzes the Museum’s rare collection of drawings by Chippendale, revealing a gifted and highly imaginative designer who mastered what today would be called branding. Illustrating a wide selection of the Director drawings alongside furniture inspired by the Director or actually made in Chippendale’s shop, this Bulletin features works of art that attest to the museum’s century-long infatuation with drawing, prints, books, and furniture in the Chippendale style.
American Furniture in the Metropolitan Museum of Art
This publication documents The Metropolitan Museum of Art's collection of early colonial furniture and presents a broad spectrum of furniture forms made in America during the 17th and early 18th centuries, including chairs and other seating, tables, boxes, various types of chests and cupboards, dressing tables, and desks. The volume also includes prime examples of the different modes of ornamentation in fashion during that period. Over 140 objects are thoroughly described, with detailed information given on each one's construction, condition, dimensions, materials, and inscriptions and other marks, as well as provenance and exhibition history. Every object is explained in terms of the styles and craftsmanship of the period and evaluated in light of comparative pieces in public and private collections throughout the country. Also included is one appendix containing photographic details of construction and decorative elements, and another with line drawings explaining furniture terms and showing various types of joints and moldings. This is the first volume in a series of two that is dedicated to American furniture in the Museum. -- Metropolitan Museum of Art website.
Art and the Empire City
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
The Cabinet-Maker and Upholsterer's Guide
Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.
"Artistic Furniture of the Gilded Age"
This Bulletin presents new discoveries and historical documentation on the preeminent New York cabinetmaker George A. Schastey, illuminating his life and his under-appreciated body of work while providing the first in-depth analysis of the Worsham-Rockefeller house and its patron Arabella Worsham.
American Furniture, the Federal Period, in the Henry Francis Du Pont Winterthur Museum
The incomparable Winterthur Museum collection of beautiful and distinct Federal period American furniture is described and illustrated in this book, first published in 1978. Todays printing technology makes this book even more stunning, presenting beautiful photos of 491 pieces. The text explores the maker, place of origin, size, materials, dimensions, details of design and, most importantly, an evaluation of the merits of each piece. It is a history of the entire process of furniture making in Federal America. This is a classic encyclopedia for Federal period furniture enthusiasts, and a mine of information for everyone interested in the social and cultural history of the formative years of the United States.
