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Morton Bartlett
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Family Found
Monographie sur l'oeuvre de l'artiste américain autodidacte Morton Bartlett (1909-1992) qui réalisé entre 1930 et la fin des années 1960 des poupées qu'il photographiait dans des mises en scène très variées.
Family Found
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Family Found
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Obsession.
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Horst Ademeit: Secret Universe
Horst Ademeit documented the presence of 'cold rays', unseen negative forces, for almost 20 years (1989–2007). The inventory he accumulated and added to almost every day during this period was his attempt to study them: thousands of Polaroid and digital photographs, several leporello notebooks full of meticulously logged data and around 3,000 small spheres made of various kinds of wood.At the beginning of each day he also produced a 'Tagesbild' (picture of the day), numbered images of newspapers, groceries and measuring instruments arranged on the kitchen table, which were intended to record the respective cold ray exposure.English and German text.
Morton Bartlett
When Morton Bartlett died at the age of 83 his relatives found 15 chests containing half-life-size dolls and accessories: twelve girls and three boys, self-sewn clothes, black-and-white photographs of the dolls as well as countless studies and archive mat
Prosthetic Fantasies
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Designing Disorder
Rethinking the open city Planners, privatisation, and police surveillance are laying siege to urban public spaces. The streets are becoming ever more regimented as life and character are sapped from our cities. What is to be done? Is it possible to maintain the public realm as a flexible space that adapts over time? Can disorder be designed? Fifty years ago, Richard Sennett wrote his groundbreaking work The Uses of Disorder, arguing that the ideal of a planned and ordered city was flawed, likely to produce a fragile, restrictive urban environment. The need for the Open City, the alternative, is now more urgent that ever. In this provocative essay, Pablo Sendra and Richard Sennett propose a reorganisation of how we think and plan the life of our cities. What the authors call 'infrastructures for disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide, remain open to change rather than rapidly stagnate. Designing Disorder is a radical and transformative manifesto for the future of twenty-first-century cities.
